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Watch: Green Day unveils album cover for '¡Uno!'

Watch: Green Day unveils album cover for '¡Uno!'

First album in trilogy comes out in September

As you know, Green Day plans to drop three albums between September and January. Today, we got the cover art for “Uno,”  the first release in the trilogy.

The below trailer doesn’t give away much, but at least we get to hear a little music, which is more than we got to hear in this other teaser when the trio talked about the trio of sets and run down their past album titles.  Green Day has also announced that one of its few 2012 live dates will be at New Orleans' Voodoo Music Experience in October.

[More after the jump...]

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<p>Carly Rae Jepsen</p>

Carly Rae Jepsen

Here's that 'Call Me Maybe' and 'Walking on Broken Glass' mash-up you wanted

Vampire Weekend's Rostam Batmanglij puts Carly Rae Jepsen's and Annie Lennox together

I don't need any more "Call Me Maybe" covers. But a mash-up with Annie Lennox's "Walking on Broken Glass?" Definitely.

Carly Rae Jepsen's No. 1 smash summer hit has been successfully melded with Lennox's 1992 hit by Vampire Weekend's Rostam Batmanglij, and posted on his Tumblr as "Call Me on Broken Glass."

"This one is strictly for the lulz," Batmanglij posted. And here I thought it was for a Grammy.

Jepsen's track has also been mashed-up with other big pop tracks with equally sunny dispositions, like Third Eye Blind's "Semi-Charmed Life."

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<p>Best Coast</p>

Best Coast

Watch: Best Coast hit the coast in 'The Only Place' video

Exactly what you'd think a Best Coast music video would look like

For the budget of hamburgers, three dozen bottles of hot sauce, watermelons, a broken drum kit, a gorgeous car rental and some pastel wear, Best Coast completed the video to their new track "The Only Place."

Much like the sound of Best Coast, the clip is harmlessly mischievous, adorable, bright and all about the drive.

"The Only Place" is culled from the band's latest album by the same name, released on May 15 via Mexican Summer.  They're currently on tour with dates below the vid, including their stops at Metallica's Orion Music + More festival and Bumbershoot.

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<p>Cover art for &quot;The Dark Knight Rises&quot;&nbsp;soundtrack</p>

Cover art for "The Dark Knight Rises" soundtrack

Credit: WaterTower Music

Listen to samples of Hans Zimmer's score for 'The Dark Knight Rises'

The music of the third film seems to call back to 'Batman Begins' a lot

Can you feel that? It's the swelling of anticipation for "The Dark Knight Rises" reaching a fever pitch. Pretty soon, the thing is gonna pop and all 165 minutes of the film will be unleashed and some may just faint with that "it's finally here!" ecstasy.

Tickets for IMAX screenings went on sale Monday, and most of the midnight screenings were pretty much zapped instantly. This after select theaters put theirs on sale back in January and, yep, sold out. Insanity. Here's hoping there's something really special underneath all that hype. (I'm sure there is.)

Christopher Nolan's Batman series has largely been defined, I think, by the work James Newton Howard and Hans Zimmer have done with the music. Unfortunately, neither "Batman Begins" nor "The Dark Knight" were nominated by the Academy (the latter stirring quite the controversy in 2008, with Zimmer even going before the Academy to state his case when eligibility came into question). But that's to be expected with that branch.

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<p>David Byrne &amp; St. Vincent's &quot;Love This Giant&quot;</p>

David Byrne & St. Vincent's "Love This Giant"

Credit: 4AD/Todo Mundo

Listen: David Byrne and St. Vincent combine for 'Who' and a new album

Jagged and melodic, for 'Love This Giant'

It was "in-the-works" for two-and-a-half years, but now it's confirmed today that St. Vincent and former Talking Heads frontman David Byrne will release an entire collaborative album, "Love This Giant." The 4AD/Todo Mundo effort will drop on Sept. 11, and has been preceded by the first song to arrive, "Who."

This jagged and melodic number bumps around with polyrhythms and unusual harmonies -- a la Dirty Projectors and tUnE-yArDs -- with a lot of belting from Byrne and angelic refrains from St. Vincent (aka vocalist and guitarist Annie Clark). The brass does a lot of carrying here, which I love: the horns give it some emotional weight to all the whimsy and 1,000-yard staring.

There will apparently be a lot of horns on the album overall, with help from the guys in Antibalas and The Dap-Kings helping out. Engineer and songwriter John Congleton of moody rock outfit The Paper Chase also lends a hand on programmed drums. Ten of the album's 12 tracks were co-written by Byrne and Clark, and each writing one individually.

And with a snap of your fingers, a new album has likely entered into the top 10 of NPR's year-end list.

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<p>Bryan Cranston from &quot;Breaking Bad.&quot;</p>

Bryan Cranston from "Breaking Bad."

Credit: AMC

Bryan Cranston to host the 2012 Television Critics Association Awards

'Breaking Bad' star is also up for a TCA Award

Last year, the Television Critics Association Awards were hosted by Ron Effing Swanson himself, Nick Offerman. So perhaps the only way to top that in terms of finding someone capable of making very dangerous things was to recruit Bryan Cranston from "Breaking Bad" to emcee this year's awards.

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<p>In my ideal world, Jim Rash from &quot;Community&quot;&nbsp;would be up for an Emmy to go on the shelf next to his Oscar.</p>

In my ideal world, Jim Rash from "Community" would be up for an Emmy to go on the shelf next to his Oscar.

Credit: NBC

If I had an Emmy ballot 2012: Outstanding Supporting Actor in a Comedy Series

The men of 'Parks and Recreation' and 'Community' dominate the first stage of our annual exercise

It's Emmy nominating time once again, which means it's time for Fienberg and I to resume our annual tradition of predicting the people and shows we either wish will be nominated (me) or think will be (Dan). I pretend that I have an Emmy ballot and pick the six performers/shows per category that I'd be happiest to see nominated, while Dan runs down the contenders in each category, starting with the locks, then moving to the contenders and then the ridiculous longshots.

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<p>The first reveal of the Dolby Theatre marquee at a special event Monday</p>

The first reveal of the Dolby Theatre marquee at a special event Monday

Credit: Matt Sayles/Invision for Dolby

Tech Support: Dolby Atmos ready for its close-up with the premiere of Pixar's 'Brave'

The heavily touted surround-sound tech marks an industry forever anxious to lure audiences to theaters

Next week Walt Disney Pictures will be premiering Pixar's "Brave" in conjunction with the Los Angeles Film Festival at the newly named Dolby Theatre (formerly the Kodak) in Hollywood. But while it promises to be a fun time for the event at hand, the fact that it's the grand re-opening of the space is what has me a little bit more excited.

See, I've never actually been in that room. No concerts, no Cirque du Soleil, no Academy Awards (I've never sought Oscar night credentials). So I'm happy to finally case the joint, as it were. But Dolby taking over the naming rights of the facility has also brought in the added attraction of its aural upgrades, namely the company's new Dolby Atmos technology, which was first revealed at CinemaCon in April.

Touted by Dolby as "the most significant development in audio since the arrival of surround sound," the promise of Atmos is an important one: keeping the theatrical experience unique and superior to what can be accomplished at home.

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<p>Nigel Lythgoe of &quot;So You Think You Can Dance&quot;</p>

Nigel Lythgoe of "So You Think You Can Dance"

Credit: FOX

Recap: 'So You Think You Can Dance' - Salt Lake City Auditions

Would Utah truly attract some of the sexiest auditions ever?

Welcome to another week of "So You Think You Can Dance" auditions, this time from Salt Lake City.

Once upon a time, I might have scoffed about the dance talent in Salt Lake City -- Remember... Dan doesn't know anything about dance -- but thanks to The CW's "Breaking Pointe," I know that Salt Lake City is home to Ballet West and it's a regular hoofing hub. 

So... Thanks, "Breaking Pointe"!

The big question involves the tease from last week's promo promising that Salt Lake City would be home to our sexiest auditions yet. Color me intrigued!

Click through for the full recap...

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<p>Big K.R.I.T.</p>

Big K.R.I.T.

Credit: Steve-ography

Listen: Big K.R.I.T. says 'Thank You Kindly' to fans of his 'Underground'

Southern rapper has his acceptance speech all worked out

No telling if rapper Big K.R.I.T. will earn a Grammy nomination for work off of his confusingly titled studio debut "Live from the Underground" or for his guest spots on tracks from Wiz Khalifa or Curren$y. But in case he wins any award, he already has an acceptance speech worked out.

"Thank You Kindly" really is a big, simple, slobbery wet kiss from the Mississippi-bred rhymer, a one-off thank-you-note on the heels of the release of "Underground" last week. That effort, as we learned today, bowed at No. 5 with 41,000 on the Billboard 200 album sales chart today.

"I wanted to thank all the fans for the support, so I did this one for ya’ll," he wrote on the song's SoundCloud page.

"Underground" had an enormous amount of support right off the bat, at least from its guesting musicians. From artists like B.B. King to Melanie Fiona to Ludacris to 2 Chainz.

K.R.I.T. made it onto HitFix's 2012 Summer Songs list with "I Got It," as well as helped lead our Hip-Hop's New Class of characters.

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<p>Carly Rae Jepsen</p>

Carly Rae Jepsen

Credit: AP Photo

Carly Rae Jepsen's 'Call Me Maybe' reaches No. 1 on Billboard Hot 100 definitely

Katy Perry also has reason to celebrate

After hanging out at No. 2 behind Goyte’s long-running “Somebody That I Used To Know,” Carly Rae Jepsen’s “Call Me Maybe” hits No. 1 definitely on the Billboard Hot 100 chart this week.

In doing so, Jepsen becomes the first solo female to send her first Hot 100 entry to No. 1 since Ke$ha did so with  “Tik Tok” in January 2010, according to Billboard. The song, which has been on the Hot 100 chart for 16 weeks, has already sold more than 3.3 million downloads.

There’s only one new entry into the Billboard Hot 100 Top 10 and that also belongs to a solo female: Katy Perry’s “Wide Awake” zooms 19-9 to become Perry’s 11th career top 10.

The rest of the Top 10 remains fairly static:  “Somebody That I Used To Know” featuring Kimbra slips to No. 2 after eight weeks at No. 1, while Maroon 5’s “Payphone” featuring Wiz Khalifa and fun’s “We Are Young” featuring Janelle Monae stay at No. 3 and No. 4 respectively.

One Direction’s “What Makes You Beautiful” and Nicki Minaj’s “Starships” swap places with “Beautiful” rising one to No. 5 and “Starships” dropping one to No. 6. Flo Rida’s “Wild Ones” featuring Sia remains at No. 7.

Rihanna’s “Where Have You Been,” the singer’s 22nd Hot 100 Top 10 hit, rises one spot to No. 8 this week, while Justin Bieber’s “Boyfriend” drops two spaces to No. 10. However, the news isn’t all bad for Bieber:  “All Around The World”  featuring Ludacris, another track from “Believe,” bows at No. 22, earning it Hot Shot Debut honors.

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<p>It was hard for &quot;Mad Men&quot;&nbsp;creator Matthew Weiner to have Peggy and Don split up.</p>

It was hard for "Mad Men" creator Matthew Weiner to have Peggy and Don split up.

Credit: AMC

'Mad Men' creator Matthew Weiner talks Peggy, Joan, sci-fi and more

How did moving into the late '60s change the series? And does he think the show's become unsubtle?
I loved the fifth season of "Mad Men" overall, but did not love the season finale, in part because I felt the show's creator Matthew Weiner spelled out the themes of the episode in less subtle fashion than usual.
 
So when Weiner was able to spare a few minutes this afternoon from the set of "You Are Here," his writing and directorial movie debut, among the things we discussed was whether or not he feels ths season has been more overt in its meaning than previous ones. We also talked about his reasons for writing Peggy out of the agency — if not necessarily off the show — how the show has changed as it's moved into the more famous half of the '60s, this season's obsession with science fiction, and more.
 
Given the limited amount of time we had, I tried not to rehash too much of the ground that was already covered in previous post-finale interviews Weiner gave to the New York Times and to Slate — both of them deal with Don's feelings about Megan, and about Weiner's belief that of course Joan would have accepted the indecent proposal in the Jaguar episode — and instead look at the finale, and the season, from other angles.
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