Here we are in the all-girl finale of our "DWTS" all-star season. It's only an hour and each couple has to power through two dances, so let's just get to it. It's gonna be one speedy episode, so don't blink.
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Ah, the Gotham Awards. New York's smaller cousin to the Independent Spirit Awards. Part tribute show, part awards showcase, the Gothams are if nothing but entertaining.
The program is being streamed by IFP here, but feel free to enjoy this live blog of the evening's highlights. The audience may already be buzzed, but we won't be.
8:13 PM EST - Jimmy Kimmel comes out (via tape) and tells everyone to be quiet. "You are there to celebrate the best independent films of 2012 and Matt Damon" and then rips all his commercial hits. "No one embodies the spirit of independent film like Matt Damon."
Today, will.i.am's "Scream & Shout" featuring Britney Spears was finally farmed to radio stations, a week after the single had a slippery debut post-leak. On Wednesday, the music video is set to premiere around Spears' new gig on "The X Factor." A preview to the Ben Mor-directed clip has been posted below.
I'll admit it. The refrain "Scream and shout and let it all out" is super catchy. It's got that. But a catchy phrase does not a great song make. Below I outline my hoarse-voiced disappointments with "Scream & Shout":
If I had to pick one movie in 2013 that I hope works, it would be Zack Snyder's "Man Of Steel."
I think it is beyond comprehension that Warner has taken this long to get Superman back on track. He is not just DC's single most important and iconic superhero character, he is also the single most iconic superhero owned by anyone. Superman is, for many people, the definition of what a superhero is in pop culture, known pretty much everywhere. And while almost everyone has some idea of what Superman is, it seems like it has been insanely difficult for the studio to figure out exactly which version of the character they want to see onscreen.
There has been a ton of speculation about how Warner Bros would start to build their way towards "Justice League," and most of the scrutiny is now focused on whether or not we'll see our first steps towards that with "Man Of Steel" next summer. One of the questions involved has to do with tone. You look at how Marvel handled their build-up to "The Avengers," and the most important thing they did was set a certain tone that meant you would be able to accept it when Tony Stark and Bruce Banner and Thor and Steve Rogers all ended up in a frame together, no matter how different their individual stories.
By making only three stories per season, "Sherlock" producer Steven Moffat has already turned the 21st century Sherlock Holmes series (not to be confused with the one on CBS) into a rare enough treat that we have to wait long intervals to consume. And now it sounds like the wait for the next batch is even longer.
EW is reporting that because of the busy schedules of Moffat (who also runs "Doctor Who") and stars Benedict Cumberbatch (who's the villain in the next "Star Trek" movie) and Martin Freeman (who is appearing in the 57 films that are being adapted from the 300-odd pages of "The Hobbit"), production on the next trio of "Sherlock" episodes has been pushed back from January to March, which will in turn delay when those episodes will air, first on the BBC (likely late 2013 now) and then PBS (possibly early 2014).
NEW YORK -- How do you bring an indie darling back around when the season is filling up with quality work of the "Oscar" sort? Well, you do whatever you can, and for Fox Searchlight and "Beasts of the Southern Wild," it started with an intimate luncheon at Tomate Rouge this afternoon on 60th Street.
There’s a new girl in town and her name is Alicia Keys. Sure, she arrived on the scene as a fully-formed artist with 2001‘s “Songs In A Minor,” but it’s clear on “Girl On Fire,” her first album in three years, that reinvention and rediscovery are the main courses on the Grammy winner’s menu.
“I found a brand new kind of free,” she sings on “Brand New Me,” her current single co-written with Emeli Sande. “It took a long, long road to get here. It took a brave, brave girl to try,” Keys states on the piano ballad.
[More after the jump...]
After bowing at No. 1 with their new album "Take Me Home," One Direction are now busily preparing for 101 touring dates for 2013. But a packed schedule isn't keeping the boy band from dreaming a little.
Speaking with MTV, Liam Payne revealed it'd be a dream for the troupe to lay down a some track work with Jay-Z.
"I would love to do a hip-hop collaboration with Jay-Z," Payne said. "I don't know how to talk to him, though. I think he's wicked. I love Jay-Z. It upsets me that we're not cool enough, but I wish we could."
Define "upset" there, young pup. The group is obviously not doing so bad for itself: does the admission of uncoolness also imply the crew has already tried approaching the "Blueprint"-maker? Because Jay-Z may not work with just anybody, but he's the same man who's shown up with lesser-knowns like Santigold and on pop tracks with Mariah Carey (OK, OK, OK and isn't above still working with nerds like Diddy. There. I said it.).
Payne, adorably, snapped a pic of himself with Hov backstage at Justin Bieber's concert in Brooklyn this fall. He called Jay-Z one of his idols.
"Imagine going on tour with Jay-Z," Zayn Malik also said in the interview. I imagine him saying this while his hands clinch tightly and shake excitedly.
A few bits of housekeeping and book pluggery while I ponder what Chuck Lorre might write in a vanity card about Angus T. Jones...
50 Cent's had a few failed re-starts on his music career, where he's struggled at stoking his own interest in rapping as well as getting fans invested again. "My Life" may be the necessary element to get the next round off the ground, however.
Eminem and Maroon 5's Adam Levine guest on this rap track with a hum-worthy chorus, with both rappers expressing some melancholy and confusion of their lives as the singer touts the whole reason this may be a hit.
Among the curiousities of the verses is Em's admission that he feels like he may be unspooling again. The Detroit-bred MC has been sober for three years, and yet is pre-occupied with "revenge" and "Feels like I'mma snap in a minute, yeah it's happening again." He poses some regrets on that "Recovery" album, too, though that's no new news.
50 Cent also does his business of reminding listeners he sold millions of albums back in the day. Will this track -- purportedly a promo single for his album "Street King Immortal" -- be enough to propel big sales in February?
"My Life" will be available on iTunes tomorrow (Nov. 27) and is set to be performed on Levine's reality talent show "The Voice" tonight. The trailer to the epic-looking music video is also below, release pending.
I never much cared for the term "Oscar bait," at least the consistency with which it's tossed around and the connotation it carries. (Though I'm well aware we launched a feature recently called just that.) Maybe I'm naive, but I don't believe anyone sits down to map out an Oscar movie. It's turning evening, you're chasing the light, the crew's tired, you have tomorrow's schedule to iron out…the last thing you're thinking about are the awards prospects of your project. And I think anyone who feels differently hasn't spent much time on film sets.
Beyond that, it just seems to me a disdainful way to diminish or discredit films of a certain ilk. Biopics, "issue" films, projects shrouded in the prestige of respected and/or previously awarded source material or high-caliber acting ensembles, they signal something for many -- a red flag. Which is odd, but maybe that speaks to the track record of such projects more than the inherent thing of it all. So it's with hesitation that I even begin to say this, but 2012 seems to be the year the "Oscar bait" got good.
Do you remember last season? You know, when Kim seemed to have blossomed into a semi-decent person, thanking God every few minutes for all her good fortune, getting all mushy about life with Kroy and their new baby? Yes, she fired Sweetie (and rehired her this season – I smell producer-suggested plot twist), but mostly she just seemed her happy, foul-mouthed self, tossing back her wig-hair and rising above her fellow housewives' silly squabbles. Yeah. That was last season. This season? Kim takes all that Zen reserve, wads it up into a ball, and hurls it out the window while screaming four-letter words at it until it shrivels and dies.