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<p>Denzel Washington may look like he's holding it together in the new Robert Zemeckis film 'Flight,' but he's hiding some serious pain behind those shades.</p>

Denzel Washington may look like he's holding it together in the new Robert Zemeckis film 'Flight,' but he's hiding some serious pain behind those shades.

Credit: Paramount Pictures

Review: 'Flight' takes Robert Zemeckis and Denzel Washington on an unexpected trip

An unsparing look at a life spent in free-fall marks new territory for director and star

Robert Zemeckis has never made anything like "Flight," and Denzel Washington has rarely played a character this damaged.  I frequently feel like studio movies arrive somewhat predigested because of how many times we've seen variations on the same basic formulas, and when you do run into something that takes its own path, that tells its own story in a way you're not expecting, it can be positively shocking.  Working from a strong piece of material by John Gatins, Zemeckis seems to be trying something that is, for him, both new and a clear representation of the things that make him most interesting as a filmmaker.

I remember seeing Spike Lee talk about the making of "Mo' Better Blues," and one of the things that he said made the film difficult to shoot was a firm rule from Denzel Washington that he did not want to do any elaborate love scenes or any sort of onscreen nudity with a female co-star because of his own offscreen marriage.  As good as he is, there's often a sense that he's holding back something, that he is careful about his image.  It's the sort of thing that I think often affects Will Smith's choices as a movie star as well, and it can be hard to let go of after you've lived with it for a long time.  I couldn't help but think about that when we first see Denzel in this film, in bed with Nadine Velazquez, finishing a beer for breakfast and doing a rail to wake himself up as she walks around the room totally nude.  At one point, he gives a sideways glance right up her backside as he talks on the phone, and there is a world weary quality to the beat that is both funny and immediately crushing.  This is the sort of performance where there's no personal vanity involved, and there's no thought of Denzel as Denzel.

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<p>Chloe Grace Moretz steps into the shoes of Carrie White in what looks like a very timely remake of Stephen King's 'Carrie'</p>

Chloe Grace Moretz steps into the shoes of Carrie White in what looks like a very timely remake of Stephen King's 'Carrie'

Credit: Screen Gems

First 'Carrie' trailer suggests new remake may tap into the zeitgeist perfectly

Chloe Moretz is front and center in this first glimpse at the new version

I have certainly spent my fair share of time and column inches writing about the remake culture that we're suffering through right now, and by and large, I'm not a fan.  I think there is an anemic degree of imagination on display from the studios these days, and even the excuse that these things fund the chances that they take starts to look a little thin when the remakes outnumber the originals ten to one.

But I'm willing to admit that there are remakes that make sense, and when there's a piece of material that speaks to the times we live in or that offers an opportunity that a filmmaker feels strongly about, then I'm more than happy to watch what they come up with.  And in the case of "Carrie," I would argue that the time is absolutely right to revisit what remains one of the most potent of Stephen King's novels.

After all, it's not like bullying has stopped.  If anything, today's technological culture has created a whole new way for kids to be tormented and teased.  It's been hard reading the stories about Amanda Todd and looking at the video she left behind when she committed suicide recently and seeing how there are still people who were part of her world who continue to pile on the abuse even now that she's dead.  It's just one more disturbing story in a long line of them, and while some people seem to think this is new, I think it's just a new version of something that's been around as long as there have been weak and strong kids, as long as people have felt different, as long as there has been the need for some people to victimize others to make themselves feel better.

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<p>Monday's &quot;The Voice&quot;</p>

Monday's "The Voice"

Credit: NBC

Recap: 'The Voice' Monday - The Battles Continue

It takes a while, but Monday's episode features some standouts
After one week of Battle Rounds, “The Voice” now has slightly over a quarter of the forty contestants that will participate in the next phase in the competition. So we have about three weeks left of people scream-singing at each other or working together to produce something greater than the sum of its parts. So far, the judges haven’t exactly grasped the concept of this season’s twist, with both CeeLo Green and Adam Levine leaving themselves wide open to having one of their strongest team members swiped by a competing coach via The Steal. Let’s see if the superstars get any smarter about their pairings as the Battle Rounds continue. And let’s see who will be the first contestant indignant about his or her partner.
 
It’s another 2-hour installment tonight, so we should see quite a few pairings before the night is through. Let’s see what Green, Levine, Christina Aguilera, and Blake Shelton have up their sleeves tonight. Spoiler alert: I’m guessing the final battle of the night will be the most dramatic. I just…have…a hunch. As always, I’ll be jotting down my thoughts in real time.
 
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"Dancing with the Stars"

 "Dancing with the Stars"

Credit: ABC

Recap: 'Dancing with the Stars: All-Stars' starts handing out high scores

With Paula Abdul on the judges' panel, some stars nab nearly perfect scores

Paula's in the house! I'm hoping Paula will actually give some concrete advice beyond, "You're so great!" or "You make my heart smile!" After all, this is her wheelhouse -- dancing, not singing, is where her true talent lies. But, let's face it, she's still Paula, so I'm expecting lots of love and those hands-splayed slow claps and blown kisses. 

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<p>Saskia Rosendahl in &quot;Lore.&quot;</p>

Saskia Rosendahl in "Lore."

Credit: Music Box Films

London: Foreign Oscar contenders 'Lore' and 'Children of Sarajevo' impress

Two further standouts in what's turning out to be a deep Oscar field

This weekend's viewing at the London Film Festival brought me to a pleasingly round, if short-lived, statistic: I've now seen 20 of the 71 films entered for consideration in this year's Best Foreign Language Film Oscar race. That's a pretty small proportion still, yet even this sample pool feels thick with artistic virtue and contender potential alike. From this single score of films, I feel, it'd be quite easy to draw up five-nominee slate for the ages, with several worthy alternatives left over as change – and Australia's entry, the lyrical-yet-bloodied “Lore” (A-) deserves to be near the top of the heap.

Whether for arthouse or Academy targeting purposes, “Lore” seems destined to be handed the 'Holocaust film' label – a tag that, however impartially descriptive, has lately called to mind a subgenre marked by earnest moral reinscription and grayscale suffering. Neither is a convention to which this crisp, cruel, often recklessly beautiful survival story, set against the dying breaths of Nazism, feels duty-bound. It's as much a tale of an individual's selfish spurts of guilt and rapture as one of any larger communal redemption or destruction, and as such feels very much of a piece with director Cate Shortland's woozily desirous 2004 debut “Somersault” – to which “Lore” is a too-long-awaited follow-up.

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<p>Tina Fey and Amy Poehler will team up again to co-host the 2013 Golden Globes.</p>

Tina Fey and Amy Poehler will team up again to co-host the 2013 Golden Globes.

Credit: NBC

Tina Fey and Amy Poehler to co-host 2013 Golden Globes

Friends and former 'SNL' co-stars will reunite

Year after year, Tina Fey and/or Amy Poehler will pop up at the Emmys, the Golden Globes, or the Oscars and be so bright and funny and quick that they've outshone the actual host of the night. So the 2013 Golden Globes will cut out the middle man and just use Fey and Poehler as the co-hosts on January 13.

Fey and Poehler are longtime friends and frequent collaborators who have worked together at Second City, on "Saturday Night Live," and in the 2008 film "Baby Mama." Both also currently star in comedies on NBC (which will air the Globes), Fey in the final season of "30 Rock," and Poehler on "Parks and Recreation."

The promotion from presenter to host doesn't always go as smoothly as we might hope (witness Ricky Gervais on these same Globes), but the Fey/Poehler team has me genuinely excited to watch the ridiculous Golden Globes for the first time in forever.

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<p>No one takes greater delight in playing visually upsetting than Javier Bardem, which could be a very good thing indeed in 'Skyfall,' the latest James Bond film.</p>

No one takes greater delight in playing visually upsetting than Javier Bardem, which could be a very good thing indeed in 'Skyfall,' the latest James Bond film.

Credit: Sony Pictures

Javier Bardem torments James Bond in a new 'Skyfall' clip

Silva looks like an interesting challenge for the super spy

I'm going to have to stop watching clips and trailers at this point, I think.

Then again, this latest clip is so much fun that I'm not sure I'm going to be able to stop myself.

I know very little about Silva, the mysterious bad guy that Javier Bardem is playing in the film, but one of the keys to making a Bond film work is pitting him against someone who is a worthy adversary.  So far, the early reviews that I've glanced at seem to really like Bardem's work, and this new clip is one of the best glimpses we've had so far of Silva and Bond together.

What I like about this is the way it feels like Silva is engaged in the game here.  It feels like he's enjoying the cat-and-mouse with Bond, and the move he pulls to get away is pretty great.  It's also pretty clear that this is another film where Javier Bardem is visually disturbing, adding to the menace.  Nobody makes wigs more upsetting than Bardem, and his "blonde policeman" thing he's got going on here is really freaky.

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<p>Kelly Clarkson's &quot;Greatest HIts - Chapter One&quot;</p>

Kelly Clarkson's "Greatest HIts - Chapter One"

Credit: RCA

UPDATE: Kelly Clarkson releases track listing, cover for 'Greatest Hits-Chapter 1'

Did your favorite song make the list?

Kelly Clarkson’s “Greatest Hits—Chapter 1” doesn’t hit streets for another month, but today we get the track listing and cover art. The artwork, which is a little cheesy, ties in with the “Chapter 1” theme and looks like a book cover.

The story goes back to the beginning, including “A Moment Like This,” Clarkson’s first single after winning the first edition of “American Idol” in 2002, and extends through Clarkson’s fifth studio album, 2011’s “Stronger.” In addition to popular tunes, such as “Miss Independent,” “Because of You,” “Breakaway” and “Since U Been Gone,” the set also includes new track “Catch My Breath.”

"Greatest Hits – Chapter One" Track listing

1 Since U Been Gone
2 My Life Would Suck Without You
3 Miss Independent     
4 Stronger (What Doesn’t Kill You)
5 Behind These Hazel Eyes
6 Because Of You
7 Never Again
8 Already Gone
9 Mr. Know It All
10 Breakaway  
11 Don’t You Wanna Stay (with Jason Aldean)
12 Walk Away
13 Catch My Breath
14 People Like Us
15 Don’t Rush (featuring Vince Gill)
16 A Moment Like This
17 I’ll Be Home For Christmas
 

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<p>Mamie Gummer IS&nbsp;&quot;Emily Owens, M.D.&quot;</p>

Mamie Gummer IS "Emily Owens, M.D."

Credit: CW

Review: The CW's 'Emily Owens, M.D.' is trapped in high school memories

Mamie Gummer wasted in show too hung up on teen angst in adult bodies
The idea that we carry the scars of high school into our adult lives is a familiar theme of 21st century television. On "The Office," Michael Scott was a man who never quite evolved past his lonely adolescent years, and "Grey's Anatomy" often draws parallels between life at the hospital and life in high school. (The characters even once had to go to prom together.)
 
The CW's new "Emily Owens, M.D." (it premieres tomorrow night at 9) takes that subtext and makes it into text — bold, 48-point font, underlined and highlighted text. Not only does one character tell surgical intern Emily (Mamie Gummer), "Hospital's totally like high school," not only is the hospital situated directly across the street from an actual high school (one of its students even calls Emily a loser in the opening scene), but Emily's high school nemesis Cassandra (Aja Naomi King) winds up as her new co-worker. We even get the scene familiar from every teen comedy ever made where a hospital veteran gives Emily an anthropological breakdown of all the cliques, putting them in high school terms: jocks are orthopedists, mean girls go into plastic surgery, geeks like neurology, etc.
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<p>The Lizard throws a few extra bodies on the pile in the deleted scenes from 'The Amazing Spider-Man'</p>

The Lizard throws a few extra bodies on the pile in the deleted scenes from 'The Amazing Spider-Man'

Credit: Sony Pictures Home Video

Deleted scenes from 'The Amazing Spider-Man' promise more answers than they offer

A sneak peek at the upcoming home video release includes several new moments

Two of the films that most frustrated me this year were "The Amazing Spider-Man" and "Prometheus," and it's important to point out that I don't get frustrated when I see a film that is terrible from start to finish.  Those are easy to dismiss.

I get frustrated when I see a film that has real potential but which falls short thanks to certain decision-making.  "The Amazing Spider-Man," for example, is a film that has many of the pieces right.  Casting is a big part of making these films work, and I think they cast the film incredibly well.  It was the script that made me crazy with that one, and I knew that the film had been tinkered with repeatedly during production, with some major parts of the film dropped very late in the process.

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<p>Cover for &quot;Locked Out of Heaven&quot;</p>

Cover for "Locked Out of Heaven"

Watch: Bruno Mars brings the sweat in new video for 'Locked Out Of Heaven'

Grainy footage takes you back to the '70s

In his clip for new single, “Locked Out Of Heaven,” Bruno Mars brings the party down to earth.

The intentionally grainy clip, has a  great ‘70s soul feel, as Mars performs in small, crowded club where everyone’s sweat is mingling together and you can’t tell where your body ends and the next person’s begins. It’s hot as hell, but everyone is jumping and jiving and loving every minute.

[More after the jump...]

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<p>Odd Job and his hat are just one threat you'll have to face when you play as James Bond in the new 'James Bond:&nbsp;Legends' video game</p>

Odd Job and his hat are just one threat you'll have to face when you play as James Bond in the new 'James Bond: Legends' video game

Credit: Activision

Final 'James Bond: Legends' trailer promises gamers a trip through Bond's legacy

Could this be one of the good Bond games?

"Skyfall" has begun screening for US press on the eve of its UK release, and so far, the word on the film is nothing short of ecstatic.  I am very excited by everything I've heard about it so far, and I'm having to work hard not to read some of the more detailed reviews.  I want a chance to see this one fairly clean, and so far, I think the trailers have been good about not giving away too much of the movie.

In the meantime, if you are itching for some Bond and you don't want to wait, Activision has a solution for you and it's hitting stores tomorrow.  "James Bond: Legends" was created as an homage to the 50-year history of the film franchise, and in the game, you'll be able to play your way through six of the films from the series.

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