Now it's time for the supporting ladies. The actresses who usually steal the movie out from under their leading lady or gentleman co-stars. And unlike the past few years, 2012 seems to be something of a wide open race at the moment.
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The City of Lights lives up to its reputation as the most romantic city in the world in Taylor Swift’s lovely, low-key video for “Begin Again.”
[More after the jump...]
A review of last night's "Parenthood" coming up just as soon as I ask if you want tea...
It's morning round-up Time, with reviews of last night's "New Girl" and the "Happy Endings" season 3 premiere, coming up just as soon as I look like a monkey from a Russian cracker ad...
In case you'd never noticed, Quentin Tarantino makes pretty snappily dressed movies. From the monochrome suits of "Reservoir Dogs" to the Bride's mustard tracksuit in "Kill Bill," the man knows the iconic power of a garment. The Academy's costume branch has never shared his taste -- not even, surprisingly enough, when he went all period on their asses in "Inglourious Basterds." Chris Laverty wonders if the jazzy-looking "Django Unchained" wardrobe, designed by former nominee Sharen Davis, could finally break their resistance: he touches on her research for the project, and the relevance of the film's narrowly pre-Civil War setting. [Clothes On Film]
On a slow news day for awards pundits, my mind got to wandering -- as is the rather tragic wont of awards pundits' minds -- to matters of trivia and statistics. When a colleague asked me to provide him with a list of the 2012 Oscar nominees that can, even at this early stage, be set in stone, one of the few titles I could comfortably jot down for inclusion, of course, was "Argo." Its current, widely perceived status as the Best Picture frontrunner isn't unassailable, but there are no grounds on which one can doubt its nomination: critically and commercially proven, popular in the industry, with no weaknesses in sight, it's officially in the black, as it were.
That means Ben Affleck can add at least one nomination -- well, with Best Director, almost certainly two -- to an Oscar record sheet that has remained unmarked since his joint screenplay win for "Good Will Hunting" 15 years ago. Win or lose, it's a happy turn of events for a career many thought was headed for punchline status a decade ago. But he's not the only major Hollywood star for whom an "Argo" nod would represent a milestone: some guy called George Clooney stands to make history with the film.
Jax: "She's a goddamn trainwreck."
Nero: "She's still your mother ... Women like your mom, they don't do so good without family."
It's been a very Jax-centric season of "Sons of Anarchy" so far, but Clay and Gemma took the reins tonight while Jax was mostly just trying to keep up.
Hey "X Factor" fans! Are you reader to find out which singers made the Top 16?
Doesn't it feel like we've been here before? Why, yes. It was less than a week ago that FOX ran an hour of "The X Factor" in the middle of a baseball rain delay, revealing 10 of the performers in the Top 16.
If you want to skip the first chunk of tonight's strangely timed episode, you can read my recap from last Wednesday.
Or you can follow along with my live-blog as I pay minimal attention to the decisions I've already seen and then perk up for the last six announcements...
So, this is really Monday part 2 -- four couples will perform and we get the Team "Gangnam Style" dance, too. And it's only an hour! I could get used to this, couldn't you?
For some reason, Kelly looks mad as the camera pans over the crowd. Or maybe that's not anger, but worry. She was at the bottom of the leader board this week. Or maybe Val made a crack about her age, or the love isn't there when cameras aren't rolling.
In other news, I'm still looking forward to Team "Gangnam Style"'s performance. I know someday I will get sick of that song, but it hasn't happened yet.
I am, quite frankly, surprised by this announcement.
It's a pleasant surprise. I'm more than happy for James Cameron to make whatever he wants, and adding another film to his development slate can only be a good thing. But a little while ago, he basically announced that he was done developing new properties and claimed that he was in the "Avatar" business exclusively.
My guess is now that he's deep into the nuts and bolts part of actually writing those sequels and preparing for the sure-to-be-crushing experience of doing part two and part three as one giant production, he's realizing that maybe he doesn't want to spend the entire rest of his life just doing stories about Pandora. While I agree with him that he's created this fictional planet where he can pretty much tell any story and metaphorically tackle any topic, I also look forward to seeing him try something different because I think he remains exciting and intriguing no matter what the subject matter.
It seems like the conversation about race in "Cloud Atlas" is heating up in this last week pre-release, and I imagine once people see the film, that conversation will continue. I think there are a number of potent, interesting ideas to grapple with once you've seen the movie, but unsurprisingly, some people have stopped at "Hey, those people are wearing make-up to look like a different race" and that's all that they see when they look at the movie.
Last night, I got into a fairly spirited back and forth with Walter Chaw, a smart and passionate writer, in which he was adamant about calling the film "yellowface." While he's technically correct that there are indeed white actors playing Asian roles in the film, what I kept trying to engage him on was the notion that the film has so many other racial ideas in the mix and so much more identity remixing going on that reducing the film to "yellowface" as if that's the driving idea behind the make-up seems inflammatory to me. After all, in this same film, we've got Doona Bae as a young girl in the American south during the 1800s and Halle Berry playing a white German Jew, complete with a nude scene, and we've got men playing women and women playing men and Keith David playing Korean and on and on.