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Listen: Sade makes a militant return on 'Soldier of Love'

Posted on Tuesday, Dec 8, 2009 By Melinda Newman
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Listen: Sade makes a militant return on 'Soldier of Love'

Sade



If you’re under 30, unless your parents have introduced you to Sade, it’s probably impossible to understand how adored she was when her records first came out in the 1980s. In fact, you may have never heard her name.
 
Here was the stunning, exotic  British/Nigerian beauty , who sang with total ennui, in a somewhat flat monotone that nonetheless stirred emotions within the listener even if Sade remained impassive. Songs like “Your Love is King,” “Smooth Operator,” and “No Ordinary Love” were mainstays on MTV. Indeed, with her sleek, gorgeous presence and stylized videos, she and a then-nascent MTV were made for each other.
 
It’s been more than 20 years since Sade has a real radio hit and around 10 years since her last album, but she’s back now, still on her original label (Epic) with a new single from her forthcoming February album. (Editor's Note: As one of our readers pointed out below, it has actually been 17 years since her last radio hit, "No Ordinary Love." )
 
And it’s amazing how little has changed. Not that we expected Sade to suddenly be a belter, but “Soldier of Love” sounds like it could have come off of “Diamond Life” or any of her other huge sellers.Hear it here.
 
“I’ve lost the use of my heart, but I’m still alive,” Sade sings as the song open as its military-precision drums propel the story. Her voice is instantly identifiable, but is deeper, and not quite as smooth. It’s grown a little rougher around the edges over time. However, that weatherbeaten tone certainly fits such lyrics as “I’ve been torn up inside, I’ve been left behind” and “It’s too late for love to come to turn it all around.”
 
It is too late for Sade? Perhaps. We doubt even adult-leaning radio would play her at this point. This is a song that will live or die by press and television placements. It has the right tone to be used in a commercial for an FX TV show or something like that. Plus, there are some righteous dance remixes to be made of this track.

Sade, "Soldier of Love" (Album Version)

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  • Default-avatar
    • sade listern in atlanta said
    • I love Sade and would buy her album today. The true appreciation of Sade comes with her live tour. There isn't anyone better with the full band and old school class. Soldier of Love hasn't deviated one note from her previous albums which for the true Sade fan is a blessing. I for one love her unique sound and monotone voice. It is distinctive in a way that only a few notable artist can claim. I do agree that it isnt as youthful as it was 20 years ago but it is still vibriant, unique and easily identifiable.
      Lyrics remain catchy, classy and memoriable. Uniquely Sade.

      Sade has a cult-like following and as such I expect her album to do well without mainstream play. As expected the album is much anticipated and should live up to all the longing of Sade. Remember that Sade has an established following and she aims to appeal to that crowd.

      She should make a killing with her live tour which if you have never seen is truly a special occassion. My two three favorite tours of all time include Tina Turner (Atlanta 2008), Sade Love Deluxe(Atlanta 1994), and Sade Sronger than Pride (Pittsburgh 1988)

      Sade's 2000 release, Lovers Rock sold 3,881,000 copies in the U.S. and the prior album, 1992's Love Deluxe sold 3,407,000. Since 1984's Diamond Life debut, Sade has sold nearly 17 million units in the U.S. alone according to Nielsen SoundScan, and has sold more than 50 million units worldwide to date. Not bad for an artist who hasn't had mainstream radio support. Long live Sade Adu.
    • Dec 18, 09 at 03:32AM EST
        Reply to Comment
  • Default-avatar
    • J Brooks said
    • With all do respect Melinda, do your homework before writing your articles. Unlike other artist who's art falls victim to the "pop profit machine" that makes them over exposed and that put out poor repeatative music every other year, Sade (I mean the group) is writing their own rule book. Tell me who else can turn out a CD once a decade and never have to worry whether or not their fan base will still exist? Sade can and does and it's art when the art is ready, and it never disappoints. Putting Sade the lead singer aside for just a second I have to say that her band is an absolute BEAST!!! They never take one sound and recycle it through out song after song. They create a sound like no one elses time and time again. They are the perfect marriage with Sades vocals and song writing. Who else can take a simple drumbeat that we've all heard before and do what they did with it in Soilder of Love? It's SICK. By the way the lyrics in the song say "STILL waiting for love to come and turn it all around."
    • Dec 9, 09 at 02:03PM EST
        Reply to Comment
    • said
    • I appreciate the somewhat positive review of Sade's first single from her upcoming album, but I feel the need to clarify some things that were inferred in your post. Yes,while no singles from Lover's Rock, her last album, released in 2000 cracked the US Top 40 chart, the album itself sold 3.8 million copies. Her fan base is healthy and intact. Radio stations have changed quite a bit in the 17 years since No Ordinary Love and sadly, a lot of really good music by established artists may not fit current formats. That is a reflection on the stations and their demographics, not the quality of the artist's material. As somone who appreciates real musicians and artists like Sade, I will buy this album regardless if radio stations pick up the new single, which by the way deserves to be heard...loud. I disagree completely and respectfully that you would say that it sounds like it could have come of Diamond Life. Are we listening to the same song? Sonically, it's on an entirely different playing field than any of her past work. There is a ferocity in those drum beats that beautifully juxtapose with that unmistakable voice. This single marks a turning point in her music and it's an organic shift that stays true to the very nature of what Sade has done so well for decades, but at the same time embraces new territory fearlessly. There isn't a song out there being played on radio right now that comes close to this one in terms of bringing something new to the table. Sade doesn't need radio, but the current state of radio definitely needs Sade.
    • Dec 9, 09 at 11:38AM EST
        Reply to Comment
  • Default-avatar
    • hotshotwriter said
    • I appreciate the somewhat positive review of Sade's first single from her upcoming album, but I feel the need to clarify some things that were inferred in your post. Yes,while no singles from Lover's Rock, her last album, released in 2000 cracked the US Top 40 chart, the album itself sold 3.8 million copies. Her fan base is healthy and intact. Radio stations have changed quite a bit in the 17 years since No Ordinary Love and sadly, a lot of really good music by established artists may not fit current formats. That is a reflection on the stations and their demographics, not the quality of the artist's material. As somone who appreciates real musicians and artists like Sade, I will buy this album regardless if radio stations pick up the new single, which by the way deserves to be heard...loud. I disagree completely and respectfully that you would say that it sounds like it could have come of Diamond Life. Are we listening to the same song? Sonically, it's on an entirely different playing field than any of her past work. There is a ferocity in those drum beats that beautifully juxtapose with that unmistakable voice. This single marks a turning point in her music and it's an organic shift that stays true to the very nature of what Sade has done so well for decades, but at the same time embraces new territory fearlessly. There isn't a song out there being played on radio right now that comes close to this one in terms of bringing something new to the table. Sade doesn't need radio, but the current state of radio definitely needs Sade.
    • Dec 9, 09 at 11:34AM EST
        Reply to Comment

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About The Beat Goes On

  • Melinda Newman is the former West Coast Bureau Chief for Billboard Magazine with more than 15 years of experience in the music industry. She covers music and entertainment for the Los Angeles Times, the Washington Post, Associated Press, MSN, AOL and other outlets. Recent interviews include Taylor Swift, Pink, Brad Paisley, Foo Fighters, Jonas Bros. and Snow Patrol.

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