'The Impossible,' 'Zero Dark Thirty' and 'Holy Motors' are the best films of 2012
Generally a passionless but very good year for movies
2. "Zero Dark Thirty"
Kathryn Bigelow's startling achievement chronicles the 10 year hunt for Osama Bin Laden and intentionally leaves you pondering what's next. Not just for Maya (Jessica Chastsain), the CIA operative who makes it her personal obsession to find Bin Laden, but the nation as a whole.
1. "The Impossible"
A remarkable masterpiece from director Juan Antonio Bayona, "The Impossible" transports the viewer into the perilous journey of a family whose life is almost swept away by the 2004 Indian Ocean Tsunami while on holiday in Thailand. Based on a true story - perhaps more true than any "true story" this year - the drama is a riveting experience that will leave you breathless and emotionally drained. No other film moved me more.
ALMOST:
"Silver Linings Playbook"
A career pinnacle for David O. Russell. Funny, moving and oh, so real.
"Perks of Being a Wallflower"
A great coming of age movie for adults. Will grow in stature over the years.
"Anna Karenina"
A gorgeous, expertly directed adaptation of Tolstoy's classic novel. Imagine if Kate Winslet had been the lead instead of Knightley?
"Looper"
Two very good movies in one.
"The Cabin in the Woods"
Would have been a sensation if released two years ago as planned. Now, an instant cult classic.
"The Dark Knight Rises"
Unfairly judged under a microscope because of its predecessor, "Rises" is still one of the best 20 movies of 2012 and easily one of the best comic book or superhero movies of all-time.
"End of Watch"
A very good movie featuring the best work of Jake Gyllenhaal's career.
NOTABLE:
"Rust and Bone"
A great movie until it severely falters in the third act.
"Magic Mike"
The most unexpected polarizing studio release of the year.
"21 Jump Street"
Funnier than anyone ever expected. Almost makes you hope they don't make the scheduled sequel.
"The Master"
Knockdown, classic performances. Unfortunately, most of the critics in America won't admit they have no idea what it wants to say (and no, Anderson didn't intend for it to be a rorschach test for moviegoers).
"Amour"
Loved the performances, but not sure some of Haneke's choices work as intended though.
"Life of Pi"
The most beautiful second act of any film in recent memory.
"Prometheus"
Frustrating, but compelling.
Agree? Disagree? Share your thoughts below.
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Login or create a HitFix account Login Signupanonymous
December 18, 2012 at 8:09PM EST Reply to CommentNice to see someone echo Drews comments about The Master. The film makes absolutely no sense. Theres nothing there.
Alex God forbid you aren't spoon fed a story.
December 18, 2012 at 9:12PM ESTOne For The Ages!
December 18, 2012 at 8:16PM EST Reply to CommentIs Greg the first critic to complain about how weak this year's movies were and yearn for the glorious year of film that was 2011?
Mitt Romney lol He's no critic...
December 18, 2012 at 8:24PM ESTGuy Lodge On balance, I preferred 2011 too -- though that's taking into account a lot of outstanding 2011 festival premieres that only opened theatrically this year.
December 18, 2012 at 9:10PM EST
December 19, 2012 at 4:00AM ESTCasey Fiore
December 18, 2012 at 8:45PM EST Reply to CommentI think your take on the reaction to the Master is as confused as the critics' and only because you all wanted it to be more confusing than it was. I don't even think it was subtle in stating its thematic focus to be the struggle between man's animalistic instincts and the socializing influence of civilization. To be crude, nature vs nurture, and the tactics we use to keep our instincts at bay and the price we pay for this.
Obviously its an incredibly complicated film and I think the idea that its a rorschack has more to do with its many thematic undercurrents and its opaqueness opening it to myriad interpretations, but you're overthinking it the same way they are
anonymous you explained things better than the movie ever did.
December 18, 2012 at 8:52PM ESTKristopher Tapley This was my precise reading of the film.
December 18, 2012 at 10:56PM ESTCasey Fiore What do you think it is Kris, is everyone just running in circles around something that is far more clear than they want it to be or do our great minds just think alike?
December 19, 2012 at 12:39AM ESTKristopher Tapley I think it's just the nature of the film. It's a Rorschach. It yields complex reactions. That's part of its brilliance. In and of itself, however, it's relatively simple.
December 19, 2012 at 3:14AM ESTvelocityknown I love how people praised Tree of Life, but The Master is all of a sudden too confusing and lacks a proper message/story.
December 19, 2012 at 12:42PM ESTJLPatt I fail to see what the two films have in common...
December 19, 2012 at 1:45PM ESTvelocityknown Both lack a traditionally structured story and a clear message, but one was praised for that and the other seems to be punished for that.
December 20, 2012 at 12:57PM ESTJLPatt Wow, what a striking resemblance. I'm sure you couldn't find ANY other films with nontraditional narratives and unclear messages...
December 20, 2012 at 6:05PM ESTChuck
December 18, 2012 at 8:55PM EST Reply to CommentI was thoroughly underwhelmed walking out of Skyfall and the more I've thought on it, the more I genuinely dislike it. The shooting contest scene is utterly contemptible and repugnant while the movie seems to what to pander to Bond aficionados without truly understanding what makes a Bond film click. The best I can say for it is that the opening chase and credits sequence are both pretty good. Everything after that is either subpar or gross.
sosgemini Here here!!! Or for us Mel Brooks enthusiasts, "Reverend"!
December 19, 2012 at 2:23AM ESTgeorge
December 18, 2012 at 9:04PM EST Reply to CommentI think Rust and Bone should be in top 10 list
Duddi
December 18, 2012 at 9:46PM EST Reply to CommentNice to have HOLY MOTORS, BEASTS in here... AND ALSO BRAVE AND good choice to have "the under-fire" CLOUD ATLAS"
KB
December 18, 2012 at 9:49PM EST Reply to CommentSo happy to see "The Impossible" at the top of your list. Despite the current snubs, this film will surprise come Oscar time. The actors will get this nominated.
jpwebb
December 18, 2012 at 10:05PM EST Reply to CommentHow can Lincoln be omitted from any mention on this list??
Grubi I'm guessing it was one of the films he was referring to as "overrated."
December 18, 2012 at 10:37PM ESTcarbo25 ^which it totally is
December 18, 2012 at 11:48PM EST
December 19, 2012 at 3:57AM ESTFreddy I agree, Lincoln, beside part from Daniel Day Lewis's fantastic performance, is nothing more than a preaching pamphlet.
December 19, 2012 at 11:35AM ESTAugusta
December 19, 2012 at 12:01AM EST Reply to CommentLovely to see another very personal list. It makes it a lot more fun when people share what they actually liked themselves. Loved your top 4- I've only seen Cloud Atlas of those but look forward to seeing the others.
weed4504
December 19, 2012 at 1:29PM EST Reply to Comment"and no, Anderson didn't intend for it to be a rorschach test for moviegoers"
I don't think you can state that at all. I just watched an interview with PTA over in Australia, I believe. The interviewer asked him about the reception of the film. PTA's answer was how when the reviews started coming in, the thing that thrilled him most was how every review was different. He complained that most reviews have a general structure (brief thoughts on the film, a bunch of words explaining the plot, wrap up their thoughts on the film) and he said he was extremely happy that every viewer seemed to be getting something completely different from it.
And I agree with the previous poster that people are twisting themselves into knots making the film way more complicated than it actually is. At no point is the story hard to follow. The film's themes are dense and do open themselves up to multiple readings, but shouldn't that be encouraged? Isn't that a lot more exciting than a film that says "HERE'S WHAT I AM ABOUT!!"? Clearly no one can deny that the craft of the film is impeccable. I never for a moment felt like I was being taken into a fog where the filmmaker had no idea where he was headed.
And I'm especially confused by your love of Holy Motors within the context of your feelings for The Master. Holy Motors is just as, if not more, open to a wide array of interpretations. It's just as dense thematically and, if anything, the main character is more unknowable than Phoenix or Hoffman ever are.
I think The Master had it's backlash for a bit, but just as with There Will Be Blood, there will be a time when people approach the film for what it is instead of what their expectations made them think it would be. At that point, I think the praise will only increase and more and more people will fall in love with it.
JMC
December 19, 2012 at 4:28PM EST Reply to CommentNice to see Cloud Atlas. A classic for years to come.
Ditto your thoughts on Moonrise Kingdom.
That said, I think Argo is indeed the critically well reviewed film this year that's more of a dud while your exclusion of Lincoln, one of Spielberg's best in my view, is where we disagree.
Wozzaseds
December 19, 2012 at 6:36PM EST Reply to CommentMust say I didn't like the dismissal of your 'fellow critics' views on some of this years films. Pretty Arrogant statement old chap, even if I agree with your conclusion about last years top 3 based on what I have seen so far this year. But good list all the same.
Patryk
December 19, 2012 at 7:29PM EST Reply to CommentHappy to see the "Keep the Lights On" love. I think it is surely one of the 10 best of the year.
OI
December 20, 2012 at 2:45AM EST Reply to CommentYES! I loved The Impossible and couldn't agree more. Great list!
S
December 20, 2012 at 4:01PM EST Reply to CommentWhat do you mean about Kate Winslet being Anna? Do you think the film would've been better and that Knightley was miscast? Personally, I thought she was exceptional and it's arguably her best performance, which is saying something since she's been doing great work the past few years (Last Night, Never Let Me Go, A Dangerous Method).
movieguy223
December 24, 2012 at 1:56AM EST Reply to CommentIt's funny, I was trying to organize a top 10 for 2012 and I was instinctively going to put Drive in the #1 spot. As good a year, overall, as 2012 was, Drive is still better than any movie I've seen in the last 14 months and at that time - opening day in September, 2011 - it was the best movie I had seen since The Wrestler in 2008. I loved some of the films this year (Cloud Atlas, Django, The Master, Zero Dark Thirty, Skyfall) but Drive is still on a whole other level by itself. Shame is in a similar situation, and We Need To Talk About Kevin
movieguy223
December 24, 2012 at 1:58AM EST Reply to CommentAlso, The Impossible was wildly harrowing, the intensity of that 10-15 flood sequence is nearly the same as the 30 minute raid on Bin Laden's compound in Zero Dark Thirty. We are going to see some phenomenal work in the future from Mr. J.A. Bayona