<p>Jesse Eisenberg and Andrew Garfield in &quot;The Social Network.&quot;</p>

Jesse Eisenberg and Andrew Garfield in "The Social Network."

Credit: Sony Pictures

'The Social Network' and 'Walking Dead' find love at the ACE Awards

'Alice in Wonderland' and 'Exit through the Gift Shop' also big winners

“The Social Network," edited by Angus Wall and Kirk Baxter, and “Alice in Wonderland," edited by Chris Lebenzon, won Best Edited Feature Film (Drama) and Best Edited Feature Film (Comedy or Musical) at the 61st Annual ACE Eddie Awards tonight.  

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<p>Banksy tells Hollywood he's &quot;Living The Dream&quot; (in the bottom left hand corner) as he parties with Micky and Minnie Mouse on the Sunset Strip.</p>

Banksy tells Hollywood he's "Living The Dream" (in the bottom left hand corner) as he parties with Micky and Minnie Mouse on the Sunset Strip.

Watch out Oscar: Banksy's officially in town (we think)

The 'Exit Through The Gift Shop' nominee has marked Los Angeles

There has been a lot of speculation just who will accept the best documentary Oscar if the film "Exit Through The Gift Shop" were to win.  The picture was directed by the notoriously secretive British street artist Banksy and, like the artist does with his graffiti work, the film turns its head on the documentary filmmaking process.  The chances of "Exit" winning are slim mostly because in order to vote in the category you have to prove to the Academy you've seen all five nominated films.  That usually means a much more select group with lots of time on their hands (cough, retired, cough) end up judging the winners.  And, to be frank, it's hard to see "Exit" being their cup of tea.  "If" the independently released doc were to win, however, would Banksy, who has outstanding arrest warrants related to his illegal graffiti, really risk a public appearance to accept the award?  Moreover, how does the Academy even ticket him if they have no idea who he is?

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<p>Melissa Leo celebrates her Screen Actor's Guild award for best supporting actress in &quot;The Fighter.&quot;</p>

Melissa Leo celebrates her Screen Actor's Guild award for best supporting actress in "The Fighter."

Credit: AP Photo/Mark J. Terrill

Contender Countdown: Melissa Leo may have blown best supporting actress

'King's Speech' looking more like best picture every day

With Academy Awards ballots due in just one week, an unexpected change appears to be underway in one of the main categories, best supporting actress.  But first, let's take a look at where the best picture race stands.

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<p>Best Actress Oscar nominee Natalie Portman in &quot;Black Swan.&quot;</p>

Best Actress Oscar nominee Natalie Portman in "Black Swan."

Credit: Fox Searchlight

Wes Anderson talks 'Black Swan' with Oscar nominee Andy Weisblum

An interesting conversation into the process of the editor

Editing is one art form that moviegoers rarely have a firm grasp on.  The process is hardly as easy as just cutting from one shot to another.  Different directors have different editing techniques to make their shot material work and some filmmakers don' even know how a film is going to come together until they get in the editing room.  This years best editing nominees include "The Fighter" (deft), "127 Hours" (pace setting), "The Social Network" (intricate), "The King's Speech" (old school) and "Black Swan" (deliberate).  The latter film owes just as much of its town to Andy Weisblum's work as to fellow nominees Mathew Libatique (cinematography) and director Darren Aronofsky.  

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<p>An example of Wally Pfister's gorgeous work in &quot;Inception.&quot;</p>

An example of Wally Pfister's gorgeous work in "Inception."

Credit: Warner Bros.

The Oscar for Cinematography up for grabs as ASC awards 'Inception'

'Boardwalk Empire' and 'The Pacific' win on the television side

In something of a surprise, "Inception's" Wally Pfister won his first ASC Award from the American Society of Cinematographers for best film cinematography tonight.

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<p>&quot;The King's Speech&quot; </p>

"The King's Speech"

Credit: The Weinstein Company

Complete winners list of the 2011 BAFTA Orange Awards

'King's Speech' dominates with seven awards including best picture

The 2011 British Orange Film Awards were announced on Saturday evening in London and the big winner, as expected, was "The King's Speech." 

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<p>Gerard Butler endures an explosion in Ralph Fiennes &quot;Coriolanus.&quot;</p>

Gerard Butler endures an explosion in Ralph Fiennes "Coriolanus."

Credit: The Weinstein Company

Gerard Butler's 'Coriolanus' joins Weinstein's 2012 awards slate

Ralph Fiennes directorial debut premieres at Berlin on Monday

As The Weinstein Company works to put the finishing touches on a best picture win for "The King's Speech" at the Academy Awards Feb. 27, the company is also making sure its cupboard isn't bare for next awards season.  The mini-major already has "My Week with Marilyn" starring Michelle Williams in the fold, but today the company announced it has acquired the U.S. rights to "Coriolanus," the directorial debut of none other than Ralph Fiennes.

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<p>Anne Hathaway and James Franco reveal how they became the hosts for the 83rd Academy Awards.</p>

Anne Hathaway and James Franco reveal how they became the hosts for the 83rd Academy Awards.

Oscar Watch: Anne Hathaway reveals she said 'no' until James Franco said 'yes'

Plus: More Oscar presenters and Melissa Leo just can't be quiet

As it appearing there will be little surprises among the winners on Oscar night, a lot of the focus has turned to just how entertaining first time hosts James Franco and Anne Hathaway will be. Like the Super Bowl halftime show, Academy Award hosts are many times given a thankless task that few can walk away from with critical raves.  Besides Billy Crystal who, let's be frank, became a tad predictable in his later gigs, there hasn't been one host or hosts that made everyone happy.  Last year's team up of Steve Martin and Alec Baldwin was an unqualified disaster, Ellen DeGeneres was surprisingly boring and forgettable, Chris Rock made the horrible David Letterman mistake of pissing off the room in his monologue (even though he was funny the rest of the night), Steve Martin's solo acts were a bit dry for some, Hugh Jackman was upstaged by the show's production (not necc a bad thing) and Jon Stewart never seemed entirely comfortable in the position, even during his second go-around.  Enter: James Franco and Anne Hathaway.

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<p>Sam Worthington in &quot;The Debt.&quot;</p>

Sam Worthington in "The Debt."

Credit: Miramax

Focus Features will try to make a hit out of Sam Worthington's 'The Debt'

Helen Mirren thriller gets a late August release date

Last summer, one picture that seemed like a potential awards player was Miramax's "The Debt."  The dramatic thriller starred Helen Mirren, Sam Worthington, Jessica Chastain (the upcoming "The Tree of Life" and Sundance premiere "Taking Shelter"), Marton Csokas ("The Bourne Supremacy"), Jesper Christensen ("Casino Royale"), Ciarán Hinds and two-time Oscar nominee Tom Wilkinson.  It was also seen as a potential comeback for "Shakespeare in Love" helmer John Madden who has had a rough decade since that surprise Academy Award-winning champ. And, it featured the Oscar-friendly subject matter of a Jewish Mossad crew taking out an evil Nazi doctor now in hiding in East Germany.  Add in the prestige of premiering at the Deauville and Toronto Film Festivals this past September and you've got a prime awards season candidate. And then the press saw it.

As I wrote in my review from Toronto, "The Debt" was an incredibly frustrating experience. For the first two acts we witnessed great performances from Mirren, Wilkinson and Chastain and some inspired direction from Madden as the story goes back and forth and the mystery of what happens to the doctor deepens.  And then, sadly, the film jumps the shark in a plot turn that made some in my audience gasp in a "you've got to be kidding me reaction."  It wasn't surprising then that Disney, which still controlled the picture while they worked out a sale for their Miramax division, pulled out of a late December release (it didn't help that Mirren's other Miramax flick, "The Tempest," was also a turd).  

Miramax's new owners took over with no intention of creating a marketing or distribution team which put "The Debt's" future in doubt which was surprising considering that Mirren and Worthington should at least be able to provide some interest in a limited release.  Fear not moviefans, Focus Features has come to the rescue.

In a release today, Focus and Miramax announced "The Debt" will be released nationwide Aug. 31.  Focus has had a lot of success in that pre-Labor Day weekend slot with such last summer performers as "The Constant Gardener" and "The American."  Whether "The Debt" can make a something of a comeback, however, still remains to be seen.

Check out the trailer Disney cut for "The Debt" embedded in this page and share your thoughts below.

<p>Wally Pfister, Christopher Nolan and Hans Zimmer at the 83rd Academy Awards nominees luncheon on Monday.</p>

Wally Pfister, Christopher Nolan and Hans Zimmer at the 83rd Academy Awards nominees luncheon on Monday.

Before 'The Dark Knight Rises' Christopher Nolan's crew celebrates 'Inception'

'Inception's' nominees talk about their acclaimed thriller one last time

At the end of a busy Monday, a few friends got together to discuss their latest achievement.  What most of these men had in common is that they have worked together before and they have all been united because of Christopher Nolan.  In what was likely the last Q&A to discuss "Inception," Wally Pfister (cinematography), Hans Zimmer (original score), Guy Hendrix Dyas (art direction), visual effects supervisor Paul Franklin (visual effects), Richard King (sound editing), Ed Novick and Gary Rizzo (sound mixing) and special effects supervisor Chris Corbould (Visual Effects) all took some time to reflect on he picture that landed them Oscar nominations this year.

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