Don't cry for Harvey Weinstein. The venerable mini-major movie tycoon may have just discovered he has a potential art house hit on his hands.
CANNES — Awards season is no stranger to Cannes. From "Amour" to "The Tree of Life" to "No Country For Old Men" to "The Pianist" to "The Piano," every year there seems to be a player or two that pokes its head out from the crowded Croisette and into Oscar's waiting arms. This year's potential players may not include a true Best Picture contender, but they are evidence enough that the festival's presence will be felt throughout the upcoming campaign.
CANNES — We finally have a Palme d'Or winner (Jacques Audiard's "Dheepan"), but what are our major takeaways from the entire 2015 Cannes Film Festival?
CANNES — The 2015 Cannes Film Festival has officially come to an end and, in something of a surprise, the winner of the Palme d'Or went to Jacques Audiard's "Dheepan." The presidents of the jury, Ethan and Joel Coen, reminded the media during the final press conference these honors weren't determined by critics. Instead, they were chosen by a nine-member jury which included notable names such as Guillermo Del Toro, Jake Gyllenhaal, Xavier Dolan, Sienna Miller and Sophie Marceau.
CANNES — This Scottish General is a mad warrior. He takes down one victim after another, seemingly fueled by an endless stream of rage. He applies war paint to the faces of his teenage soldiers and throws them onto the battlefield, eventually haunted by their wasted deaths. Constant war has made Macbeth a man on the edge of madness, and that’s exactly what director Justin Kurzel wants to exploit in his stylistic new adaptation of William Shakespeare’s classic play.
CANNES — The last film in competition has debuted at the 2015 Cannes Film Festival, and that meant it was time for two of the world's most respected and photogenic stars to get their moment in the spotlight. So, yes, the global media were quite excited about Marion Cotillard and Michael Fassbender taking the podium for "Macbeth's" official press conference.
CANNES — The 68th Festival de Cannes is almost at an end. There is only one more competition film to screen, Justin Kurzel's "Macbeth," and then the Coen brothers-led jury will begin deliberations over what entry will win the prestigious Palme d'Or. The favorites are still "Son of Saul" and "Carol," but two relatively new entries, "Youth" and "Mountains May Depart," may steal their thunder. Tomorrow night's awards ceremony is going to be very intriguing. But more on that later...
CANNES — Even at a more civilized festival such as Cannes, it can be hard to catch every single movie in competition. There are always a few that will slip through the cracks and you can always count on the inevitable life drama moment to rear its ugly head. Unlike other festivals, Cannes has less repeat screenings across the board. That also makes things tough for one person to chronicle it all.
CANNES — Italian filmmaker Paolo Sorrentino has already dipped his toe into the familiar genre of characters of a certain age reminiscing about the good old days with 2013's "The Great Beauty." He even won an Oscar for it. Two years later he returns to the Cannes Film Festival with "Youth," a follow-up that stands besides "Great Beauty" thematically while also presenting a decidedly different point of view.
[This review contains descriptions of graphic sexual acts.]
CANNES — The first shot of Gaspar Noé’s new drama “Love” lets you know exactly what you’ve gotten yourself into. Murphy (Karl Glusman) and Electra (Aomi Muyock) are naked on a bed. She is giving him a hand job while he fingers her. The camera does not move. There is no cut to another shot. There is no music. And then, in what will be a common occurrence, Murphy ejaculates in Electra’s hand. Noé has given you ample warning of what’s ahead. This film will not simulate sex. The intercourse will be real and it will dominate the proceedings.