TORONTO - Kate Winslet is very pregnant. Chances are when you're reading this she's still very pregnant. Moreover, Winslet is so far along that we may not catch the Oscar winner on the awards circuit until very close to the December release of her new film "Labor Day." In fact, she may not be able to promote the film again until 2014. That obviously made a chance to chat with her at the Toronto International Film Festival a major priority.
Obviously that's not the case
Scott Rudin and Joel Silver would say it was inevitable
Cue the melancholy score because producer Jerry Bruckheimer's long run at the Walt Disney Studios appears to be over. Late Thursday evening the Mouse House announced the studio and Bruckheimer had "mutually agreed" to end his first look deal. Yes, his string of recent, expensive misfires was the private excuse, but even the venerable producer must have seen this coming a long time ago. The age of the studio super-producer is simply over.
Prestige dramedy off to a great start in limited release
Proving that positive reviews continue to have relevance in art house and limited releases, "Enough Said" debuted on four screens Wednesday to a strong $27,734 and $6,934 average. That midweek opening has to be very encouraging news for Fox Searchlight. The studio pushed up the release of the dramedy to September in hopes of taking advantage of a dearth in new prestige fare before a slew of awards season contenders hit theaters in October. While director Nicole Holofcener certainly has her fans, it's the rave reviews from outlets such as the New York Times, Los Angeles Times, USA Today and the Village Voice that will help drive a higher than expected five-day take. And, sadly, interest in seeing one of the last performances of the late, great James Gandolfini.
Sundance favorite tells forgotten story
If it's Fall movie season that means a number of festival favorites from earlier in the year are finally making their way to theaters. One of those highlights is John Krokidas' "Kill Your Darlings" which received positive reviews out of the 2013 Sundance Film Festival before popping up again at Venice and Toronto over the past month.
Plus: How 'War Horse' puppeteers made her fly
From 'How I Live Now' to 'Grand Budapest Hotel' to 'How To Catch A Monster'
TORONTO - Saoirse Ronan has been in this business a long time. She may only be 19-years-old, but the best supporting actress nominee for "Atonement" has been a working actor for a decade. She's already collaborated with filmmakers such as Joe Wright, Peter Jackson, Peter Weir, Neil Jordan and Gillian Armstrong. She's shot all over the globe and walked the red carpets at some of the greatest film festivals in the world. Today, however, Ronan is lying on a couch in a downtown Toronto hotel room as we meet to discuss her latest endeavor, Kevin Macdonald's "How I Live Now."
'Silver Linings Playbook' won in 2012
Steve McQueen's "12 Years a Slave" took another step on the long road to Oscar by winning the 2013 Toronto International Film Festival People's Choice Award. The critically acclaimed adaptation of Solomon Northup's harrowing true story received a standing ovation after both its Telluride Film Festival and Toronto premieres and was long seen as the frontrunner for this year's honor. The win should immediately assist Fox Searchlight, who produced and is distributing the picture, in convincing moviegoers and Academy members who might be concerned with the brutality depicted in the film to actually go see it.
What shined north of the border this year?
Overall, this year's edition of the Toronto International Film Festival delivered a very strong slate of films. While some major titles such as Cannes players "All is Lost," "Nebraska" and "Inside Llewyn Davis" skipped a repeat at the traditional awards season-friendly event, TIFF could still claim the debuts of "Dallas Buyers Club," "August: Osage County" and quickly-picked-up acquisitions "Can A Song Save Your Life?" and "Bad Words," among others. There were reports that festival organizers were annoyed (like their Venice peers) that films such as "Prisoners," "Gravity" and "12 Years A Slave" all screened at Telluride first, but that didn't diminish the love from the Toronto audiences who saw them. In fact, those films were the talk of the festival even days after their Toronto premieres.
Obviously not this season's team
TORONTO - Like everyone, actors make good choices and bad choices in their career. At this moment, Jake Gyllenhaal is working on a string of great choices. Since the back-to-back 2010 misfires "Prince of Persia: The Sands of Time" and "Love & Other Drugs," he has starred in the well-respected box office hit "Source Code," earned critical acclaim for the surprise success "End of Watch" and should have one of the biggest hits of his career when the ensemble thriller "Prisoners" opens later this month. Plus, he recently took a major creative chance with "Enemy," an experimental drama he shot with his director Denis Villeneuve before they collaborated on "Prisoners." Both "Enemy" and "Prisoners" debuted at the 2013 Toronto International Film Festival where the Oscar nominee sat down to talk, mostly, about the latter.
New Feature: Rank the top 10 best picture contenders as you see them
It's going to be one of those years, a season where so much is at stake that the back-biting begins very, very early. In fact, too early. We saw signs of these behind-the-scenes shenanigans last season when "Zero Dark Thirty" and "Les Misérables" lost their legit Best Picture-contending statuses in pressure-filled PR takedowns. It's only September and competing consultants and publicists already appear to be trying to influence the media to do their bidding. A few disparaging quotes heard across Toronto…