<p>&nbsp;The cast of 'Bridesmaids'</p>

 The cast of 'Bridesmaids'

Credit: Universal Pictures

Kristen Wiig and the 'Bridesmaids' cast will present at the Oscars together

Best supporting actress nominee Melissa McCarthy reuniting with cast mates

The hilarious ladies of "Bridesmaids" are getting back together in a few weeks -- but not for the rumored sequel

The hit film's stars Kristen WiigRose Byrne, Ellie Kemper, Melissa McCarthy, Wendi McLendon-Covey and Maya Rudolph are set to be presenters at the 84th Academy Awards.

Emmy winner McCarthy ("Mike and Molly") is up for the best supporting actress Oscar for her scene-stealing performance in "Bridesmaids," while Wiig is nominated for the film’s original screenplay. All six are making their first Oscar show appearances.
 
The Academy Awards, produced by Brian Grazer and Don Mischer, will air on ABC Sunday, February 26 from the Kodak Theatre in L.A. Billy Crystal is hosting.

Think you can guess this year's winners? Prove it in our
Oscar pool.

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<p>Josh Radnor talks &quot;Liberal Arts&quot;&nbsp;during the 2012 Sundance Film Festival.</p>

Josh Radnor talks "Liberal Arts" during the 2012 Sundance Film Festival.

Josh Radnor brings 'Liberal Arts' to Sundance and talks 'HIMYM' future

A refreshingly candid interview with the talented filmmaker

PARK CITY - Two years ago filmmaker and actor Josh Radnor arrived at the Sundance Film Festival with his debut feature "Happythankyoumoreplease."  The dramatic competition dramedy was a crowd pleaser and was quickly acquired by an upstart distribution division of Hannover House before the end of the fest.  Unfortunately, the story stopped being a happy one after that. Hannover House turned out to be a financial mess and "thankyou" didn't hit theaters until over a year after it debuted at the festival after Anchor Bay came in to give it a defacto release.  Radnor, who most recognize as Ted on "How I Met Your Mother," is being much more discerning regarding his second feature, "Liberal Arts."

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<p>&nbsp;Marion Cotillard and Owen Wilson in &quot;Midnight in Paris.&quot; &nbsp;Woody Allen's latest received four Oscar nominations Tuesday including best picture.</p>

 Marion Cotillard and Owen Wilson in "Midnight in Paris."  Woody Allen's latest received four Oscar nominations Tuesday including best picture.

Credit: Sony Classics

Sony Classics' Michael Barker talks 'Midnight in Paris' and 'A Separation's' Oscar nom haul

An the indie vet turns the tables on this pundit

PARK CITY - Tuesday was a good day for Sony Pictures Classics co-president and co-founder  Michael Barker.  Classics scored eight Academy Award nominations including four for Woody Allen's best picture player "Midnight in Paris" and found itself with three of the foreign language nominees: "A Separation," "Footnoote" and "In Darkness." The now legendary independent film distributor also secured distribution rights to the romantic dramedy "Celeste & Jesse" starring Andy Samberg, Rashida Jones and HitFix favorite Elijah Wood.  And yet, when Barker called me to discuss his company's impressive Oscar haul he immediately turned the tables and wanted to know what films I liked at the festival.  So, if Classics ends up securing "Keep The Lights On" or "Safety Not Guaranteed," I'll happily take credit for pushing them over the top for a sale.  The Oscars were top of mind though and Barker admitted that he was once again surprised by some of the selections.

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<p>The usually smiling Albert Brooks looking more stern than usual at the NYFCC awards dinner earlier this month. &nbsp;Brooks won the org.'s best supporting actor honor.</p>

The usually smiling Albert Brooks looking more stern than usual at the NYFCC awards dinner earlier this month.  Brooks won the org.'s best supporting actor honor.

Credit: AP Photo/Evan Agostini

Albert Brooks reacts as only Albert Brooks can react to not getting nominated

There's always 'This is Forty' right?

For those of us who are fans of "Drive," no nomination was more important this morning than Albert Brooks in the best supporting actor category.   However, after Brooks surprisingly failed to land the equivalent SAG Awards honor, many began worrying he wouldn't make the Oscar cut.  That sadly came to pass as Max Von Sydow was the surprise fifth nominee for "Extremely Loud and Incredibly Close."  

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Sandra Bullock in "Extremely Loud and Incredibly Close"
Sandra Bullock in "Extremely Loud and Incredibly Close"
Credit: Warner Bros.

Analysis: Oscar continues to surprise in big and small ways

From 'Extremely Loud's' comeback to surprising omissions

Somewhere in the offices of the Academy of Motion Picture Arts and Sciences, Oscar is fixing himself a stiff drink and thinking to himself, "You thought you knew it all. You thought I couldn't surprise you. How wrong you were."

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<p>Elizabeth Olsen and Cillian Murphy discuss &quot;Red Lights&quot;&nbsp;at the 2012 Sundance Film Festival in Park City, Utah.</p>

Elizabeth Olsen and Cillian Murphy discuss "Red Lights" at the 2012 Sundance Film Festival in Park City, Utah.

'Red Light's' Sigourney Weaver, Elizabeth Olsen and Cillian Murphy talk paranormal activity

Which movie got Olsen's audience award vote?

PARK CITY - In my review for "Arbitrage" this weekend I mentioned that sometimes films that should debut at Sundance are likely better served with a premiere at Toronto and vice versa.  The two major acquisition festivals have their own unique aesthetics and while they try to mix it up now and then the results can sometimes be mind-bogglingly frustrating for audiences.  On Friday night, director Rodrigo Cortes returned to Park City two years after his Ryan thriller "Buried" debuted in the Midnight section to big buzz and a Lionsgate pick-up.  His new film, "Red Lights," is a slick, entertaining and quirky thriller with fine performances from Sigourney Weaver, Robert De Niro and Cillian Murphy, but it didn't gel with the Sundance press corps.  If it had debuted at Toronto?  Many of the same journalists and reviewers would have enjoyed it a bit more.  

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<p>&nbsp;Aubrey Plaza, Jake Johnson and Karan Soni in &quot;Safety Not Guaranteed.&quot;</p>

 Aubrey Plaza, Jake Johnson and Karan Soni in "Safety Not Guaranteed."

Review: Aubrey Plaza and Jake Johnson spotlight crowd-pleasing 'Safety Not Guaranteed'

HitFix
B+
Readers
A-
Another great role for Mark Duplass too

PARK CITY - It took long enough, but the 2012 Sundance Film Festival finally produced a big winner.  The feature debut of Colin Trevorrow, "Safety Not Guaranteed," premiered Sunday evening to a festival looking to embrace something (anything entertainingly good) and this new comedy absolutely fit the bill. 

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<p>&nbsp;Richard Gere and Brit Marling in &quot;Arbitrage&quot;</p>

 Richard Gere and Brit Marling in "Arbitrage"

Review: 'Arbitrage' an odd mix of Richard Gere, 'Law & Order' and indie sheen

HitFix
C+
Readers
n/a
Gere and Brit Marling can't save the thriller from a convoluted script

PARK CITY - Over the past few years, there have been an increasing number of pictures that were questionable inclusions to Sundance's premieres slate.  A few them were actually good films ("The Company Men," "Smart People," "Cedar Rapids," ), but many were star-filled pseudo indies seemingly intended to satisfy sponsor attendees and the affluent contributors looking for a little bit of Hollywood during their Park City festival vacation ("The Great Buck Howard," "Brooklyn's Finest," "Motherhood," "The Butterfly Effect," "My Idiot Brother" and "The Son of No One" come to mind).  A good deal of these films would have been more appropriate at the more commercial Toronto Film Festival (and it's worth noting the opposite is true with pictures such as "My Sister's Sister" debuting at Toronto this past year).  Saturday night featured two of these broad, star-filled premieres: "Arbitrage" and "Lay the Favorite."  The former was clearly the better of the two, but it still another disappointment for an edition of the festival where that's become the operative word.

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<p>&nbsp;Jean Dujardin in the PGA award-winning &quot;The Artist.&quot;</p>

 Jean Dujardin in the PGA award-winning "The Artist."

Credit: The Weinstein Company

'The Artist' wins the 2012 PGA Awards film honor - Is Oscar next?

Plus: All the TV winners

One major guild win down for "The Artist," two more to go?

The Producer's Guild of America announced the winners of their 2012 PGA Awards Saturday night at the Beverly Hilton in Beverly Hills and the big winner was "The Artist." The critically acclaimed Weinstein Company favorite beat out competitors such as "The Descendants," "Hugo," "The Help" and "War Horse." It was the first PGA win for Thomas Langmann who received sole credit for the honor. Langmann has worked exclusively in his native France for the past decade.  
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<p>Thure Lindhardt gives a remarkable performance in Ira Sachs' &quot;Keep the Lights On.&quot;</p>

Thure Lindhardt gives a remarkable performance in Ira Sachs' "Keep the Lights On."

Review: Thure Lindhardt fuels remarkable gay drama 'Keep the Lights On'

HitFix
B+
Readers
A+
Ira Sachs semi-autobiographical film his best to date

You likely haven't heard of Danish actor Thure Lindhardt, but after Ira Sachs' new drama "Keep the Lights On" finds distribution after its premiere at the 2012 Sundance Film Festival his studio and English-speaking roles should substantially increase.  Lindhardt has had small roles in American films such as "Into the Wild" and "Angels & Demons," but is best known for his critically acclaimed role in the Dutch feature "Brotherhood."  He has a reputation for becoming a chameleon-like ability to physically transform himself for a role and in "Lights" he has been given a substantial opportunity to show his vast array of acting skills.

A semi-autobiographical drama from Sachs, who won the Grand Jury Prize in 2005 for "Forty Shades of Blue," "Lights" begins in 1998 where we find gay New York resident Erik (Lindhard) satisfying himself on a now antiquated phone sex line.   He ends up connecting and hooking up for the first time with Paul (Zachary Booth), a closeted publishing industry lawyer.  To say they have enough chemistry for more than a one time shag is an understatement and the film goes on to chronicle the ups and downs over the next 10 years of their unexpected relationship.

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