One of America's greatest film critics received a welcome honor this past weekend. "Life Itself," the documentary chronicling the career of Roger Ebert, opened in limited release grossing $131,411 in 23 theaters. That might not seem substantial, except when you realize the doc debuted simultaneously on VOD, a modern day necessity for small films that the technologically forward thinking Ebert may have been more than OK with (or not).
Listen, we feel bad for Melissa McCarthy. She's an incredible actress and comedienne. She became an unexpected box office sensation because of her ability to pull laughs from even the lamest material. She rocked in "Bridesmaids." She made "Identity Thief" watchable on a plane. She ruled "The Heat" with Sandra Bullock. She was even one of the funniest parts of "This is Forty." Her new comedy/dramedy/call it what you will "Tammy"? Unfortunately, not one of McCarthy's finest moments.
Visiting the set of "Fury" last October, it was impossible to imagine what cast member Shia LaBeouf would be up to less than two months later.
LONDON - On a chilly October day, four Sherman tanks rumble through the mud of the English countryside. They are battle worn and weary, their crews resolute, but they carry scars of a long campaign. For a brief moment the visage makes you believe you've stepped back in time: to April 1945 and the last days of World War II. You haven't, of course; it's just an impressive set for the new period thriller "Fury."
We've hit the halfway mark of the summer movie season and overall Hollywood doesn't have much to complain about. Well, except one studio in particular, but more on that later.
There have been numerous interweaving and not so interweaving plots during this inaugural season of "Penny Dreadful," but there have been two constants. The first has been the search by Sir Malcom (Timothy Dalton) and Ms. Vanessa Ives (Eva Green) to save Mina (Olivia Llewellyn) from the clutches of a vampire demon. The second has been the systematic haunting of Doctor Victor Frankenstein (Harry Treadaway, Jr.) by his first creation (Rory Kinnear), a vindictive son who brutally demands a bride from his creator. If the series finale told us anything it's that creator John Logan had no intention of dragging these story lines out any more than necessary. More so, Logan appears to have a lot more in store for "Dreadful's" unexpected group of flawed "heroes."
"Transformers: Age of Extinction" is headed for one of the biggest openings of the year. Even with the worst reviews of the series to date, Michael Bay and Paramount's giant robot franchise has proved it has a ton of life left in it.
Do you remember when "The View" was as close as you could get to must-see morning talk show TV? When it was seemingly a microcosm for the political debates going on between the left and right? When the chemistry between the hosts could entice surprising off the cuff answers from any guest? (Even those who thought they were just there to promote a new movie or TV show?). Yes, it's been awhile. It's been a long while and that's probably the biggest reason Sherri Shepherd and Jenny McCarthy are leaving the show.
Climbing the Hollywood ladder isn't easy. One tier of success does not guarantee another. That often means actors can reach one level of notoriety, but never reach breakout status. Often it takes years to become a real movie star. Anyone remember how long it took Liam Neeson?
There have been some monster openings at the box office this summer, but "Transformers: Age of Extinction" looks like it might be the biggest debut of 2014. Just how big?