Landing an Academy Award is usually a moment someone will remember for the rest of his or her life. As "American Hustle" producer Richard Suckle noted this morning, he's been instructed to "take it all in and enjoy the moment." Because, unless you're Scott Rudin, this doesn't happen often.
It's always inevitable that the Academy will end up snubbing a deserving nominee in one category or another, but one big snub this year was Sarah Polley's "Stories We Tell" in the feature documentary category. "Stories" won both the NYFCC and LAFCC best documentary honors and was a fixture on many critics' end-of-year top 10 lists. It was almost seen as a lock to make the cut, but appears to have been pushed out by either "Dirty Wars" or "Cutie and the Boxer." Leave it to the always classy Polley to send out a tweet flipping the narrative and heaping praise on one of the actual nominees, Joshua Oppenheimer for "The Act of Killing."
"American Hustle" and "Gravity" lead the nominees for the 86th Academy Awards, with nominations in 10 categories. "12 Years a Slave" is right on their heels with nine nods, while six other films made the Best Picture lineup. Full list of nominations below.
If it's January that means Sundance is once again upon us and the Park City institution appears ready to make some noise in what has become a very busy month for entertainment fans. Before the festival begins, much of the publicity and hype usually centers on the star-driven films in the U.S. Dramatic Competition and Premieres categories, but by the time Saturday rolls around it's a jaw-dropping documentary or unexpected surprise ("Beasts of the Southern Wild," "Little Miss Sunshine") that really have people talking and have film lovers wondering when these titles will find their way to a theater in their hometown. It's a recurring scenario that has made Sundance America's premiere and, arguably, most important film festival.
Unless this is your first visit to HitFix (and if so, welcome), you might have noticed some branding on the site over the past few days touting the "Entertainment Avalanche 2014." And if you're wondering, "What the heck is that?" Well, you're in the middle of it and it's only going to get crazier over the next week.
BEVERLY HILLS - There was a roar of cheers when Steve McQueen entered the FOX/Fox Searchlight Golden Globes party Sunday night. I know because I was standing right behind McQueen and his cast as they tried to walk into the packed Globes after party. The "12 Years a Slave" win for Best Picture - Drama and the surprising wins for FOX's "Brooklyn Nine-Nine" Andy Samberg in the TV Series - Comedy or Musical categories made it (initially) the place to be.
The day before the Golden Globes has always been packed full of industry events and pre-show parties. 2014 was no different, especially if you were anywhere near Doheny Drive in Beverly Hills or West Hollywood.
The ballots have been cast. Voting is over (for the moment). There is nothing any pundit, actor, director, studio head or awards season sweet talker can do to affect the nominees for the 86th Academy Awards. It's done. Now, all anyone in the game can do is wait. And maybe try to shake off their nervousness with a few drinks over this busy event weekend.
HOLLYWOOD - Academy members may have already submitted their ballots to determine this year's Oscar nominations, but determining the industry's guild winners is coming down to the wire. That was just one reason why Warner Bros. hosted an IMAX screening of Alfonso Cuarón's "Gravity" with an impressive Q&A afterward at the Chinese Theater Thursday night for all of the major guilds. And if it ends up rubbing off on some Academy members in attendance down the road, that won't hurt either.
NEW YORK - I'm somewhat torn as to whether to communicate just how awkward my interview with Joaquin Phoenix and Amy Adams was for Spike Jonze's masterful "Her" last month. Our video editing team did a wonderful job of making it seem less so, but let's just say that Mr. Phoenix lived up to his well deserved reputation. It's one reason you hear a lot more from the wonderfully charming Ms. Adams in the interview embedded at the top of the post than the movie's leading man. Granted, we were able to discuss a bit about Jonze's vision of a future Los Angeles and the changes to the project through production, but it certainly wasn't what I'd hoped for when I walked in the interview room. Certainly not for a film that ended up at no. 9 on my top ten list of 2013.