Cannes Film Festival 2013

2013 Independent Spirit Awards nominations winners and losers

"Beasts of the Southern Wild," Ezra Miller, Matthew McConaughey and more

<p>"Beasts of the Southern Wild," "Magic Mike" and "Keep the Lights On" all founds some love from the 2013 Independent Spirit Awards nominations.</p>

"Beasts of the Southern Wild," "Magic Mike" and "Keep the Lights On" all founds some love from the 2013 Independent Spirit Awards nominations.

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As always, the Spirits are an intriguing beast. Originally a fly by the seat of your pants awards show meant to give exposure to indie films they couldn't find anywhere else the Spirits have morphed into a prestigious honor that people in the industry actually care about. This year it appears the nominating committees got it mostly right. Sure, there's that always sticky $20 million or less budget figure qualification no one wants to pay attention to (until they do) and some blatant omissions here and there.  But, at the end of the day the Spirits still provide an important platform for new filmmakers to make their mark with moviegoers and the larger movie industry.  Taking that into account, here are the winners and losers after the announcement of the 2013 Independent Spirit Awards nominees this morning.

Winner: "Beasts of the Southern Wild"

With four nominations and two wins at the Gothams last night, Searchlight has to be relieved "Beasts" is getting the late push it needs to secure that best picture Oscar nod. A slew of expected top 10 lists next month should seal the deal.

Winner: "Silver Linings Playbook"

Is the film's budget $16 million or $21 million?  Only the accountants know for sure, but the film's Spirits leading five nominations is a nice boost to an Oscar campaign that was once battling for frontrunner status.

Loser: Ezra Miller
Easily one of the more acclaimed supporting performances of the year, somehow Miller's great turn in "Perks of a Wallflower" was ignored by the nominating committee. Sam Rockwell and Bruce Willis must just have more cache. Sad.

Loser: David Ayer and Jake Gyllenhaal
Michael Pena deservedly earned his first Spirit Award nod for a fantastic performance in "End of Watch," but what about screenwriter/director David Ayer and star Jake Gyllenhaal? "Watch" was a critic's favorite and a major indie hit. It was independently produced at just $7 million and grossed almost $40 million. Moreover, you expanded the best male lead category to six nods and Gyllenhaal still didn't get in? Embarrassing.

Winner: "Bernie"

As we predicted, the committee went gaga for "Bernie." With strong Film Independent credentials (it was the opening night of the org.'s LA Film Festival in 2011) and an indie story to treasure (rejected by all the mini majors only to become an art house hit for Millennium), "Bernie" was destined to be one of the top best feature film nominees.  Jack Black's best male lead nod?  Icing on the cake.

Winner: "Middle of Nowhere"
Underrated so much that's its now possibly overrated, "Nowhere" didn't make the top category of best feature film, but still managed an impressive 4 nominations including the John Cassavetes Award, best female lead, best supporting female and best supporting male. Wowzers.

Loser: The Foreign Films committee
No "Holy Motors" among the best foreign film nominees? "Once Upon A Time in Anatolia" and "War Witch" are better films? "Motors" exclusion is hands down the most embarrassing omission of the day.

Winner: CBS Films
"Seven Psychopaths" provided CBS Films with its first two Spirit Awards nominations for best supporting male (Sam Rockwell) and best screenplay (Martin McDonagh) and it's first major awards nominations of any kind. Next stop, the Globes?

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Gregory Ellwood
Editor-in-Chief, Co-Founder
With over a decade of experience in the movie industry, Ellwood survived working for two major studios and has written for Variety, MSN and the LA Times. A co-founder of HitFix, Ellwood spends his time relaxing hitting 3’s on the basketball court and following his beloved Clippers.

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  • Default-avatar

    daveylo

    How is Moonrise Kingdom not a winner?

    November 27, 2012 at 5:35PM EST Reply to Comment
  • Default-avatar

    Sue

    What about Cosmopolis and Robert Pattinson? Best acting I've seen in a long time. Why wasn't it submitted?

    November 27, 2012 at 5:35PM EST Reply to Comment
    • Default-avatar

      MoroccoMole It's a Canadian film, and not a US one, so the only category in which it would compete is Foreign Film.

      November 27, 2012 at 9:40PM EST
  • Guypic_talkback_profile

    Guy Lodge

    I like Gyllenhaal in End of Watch too, but I don't understand why his non-nomination is "embarrassing." I admit I haven't seen Wendell Pierce's film, but that's a strong Best Actor roster -- where's the shame in any of those nominees making the cut over Gyllenhaal? Pena is the standout of that film, as far as I'm concerned, so I don't think his nomination need be accompanied by one for his co-star. (I don't think he should be in the supporting category, but that's another issue.)

    Also, let's not paint The Loneliest Planet as a film no one's heard of -- it got a Best Feature nod at the Gothams, after all, so it hasn't exactly come out of thin air. Either way, people should check it out -- it's pretty impressive.

    November 27, 2012 at 6:56PM EST Reply to Comment
    • Default-avatar

      someperson Where does he mention The Loneliest Planet?

      November 28, 2012 at 12:59AM EST
    • Guypic_talkback_profile

      Guy Lodge On page 2.

      November 28, 2012 at 5:27AM EST
    • Default-avatar

      L. David
      @Guy Lodge: It's your opinion. My opinion, just like Gregory Ellwood's and other insiders, is that Pena wasn't the only standout - BOTH Gyllenhaal and Pena were the highlights. Their on screen relationship WAS the movie. You can't think of one without immediately thinking of the other.

      Pena didn't act in a vacuum, EOW was a collaborative movie in the truest sense of the word. JG and MP performances were almost simbiotic, they fed off each other's emotions and delivery of the lines. Not always one actor has to be nominated alongside his co-star but in EOW's case the actors were joined to the hip artistically. To separate their performances is an injustice.
      The movie itself couldn't be made without Gyllenhaal's efforts, as acknowledged by the producers. Gyllenhaal even helped Pena with artistic suggestions ("try again, do that thing you did in the rehearsals") as acknowledged by Pena himself. Anna Kendrick stated that Jake puts other people's performances ahead of his own.

      My take is the ISA voting committee didn't actually like EOW but they couldn't completely ignore it - it's a true "independent spirit" movie after all. So they deliberately chose to acknowledge the underdogs (Pena and the cinematographer) above the more visible director/writer and star.
      It is unfair and, yes, an embarassment to the spirit of independent movies (pun intended).

      (Sorry for the double post.)

      November 28, 2012 at 7:36AM EST
    • Default-avatar

      sosgemini Thanks for the heads up re: "page two". Didn't notice it upon my initial read. :sigh: LOL

      November 28, 2012 at 1:50PM EST
  • Default-avatar

    Lance

    I thought the father from Southern Beasts would have a shot at the Oscars but, if he didn't make it here, I guess he doesn't have a chance.

    Was Marion Cotillard a snub or was she not eligible here? I see the film was nominated in International Film.

    November 27, 2012 at 7:19PM EST Reply to Comment
    • Guypic_talkback_profile

      Guy Lodge Not eligible. Non-US films can only compete in the Best International Film category. (They are, however, quite flexible in their definition of US films, hence the inclusion of Fill the Void.)

      November 27, 2012 at 8:09PM EST
  • Default-avatar

    JLPatt

    "Holy Motors" or not, I'm not sure how you can dismiss that foreign film lineup. It's very strong.

    November 27, 2012 at 8:01PM EST Reply to Comment
    • Guypic_talkback_profile

      Guy Lodge Seconded. I love Holy Motors too, but they've nominated five very substantial films there.

      November 27, 2012 at 8:12PM EST
    • Default-avatar

      AP Definitely with you on this.

      November 27, 2012 at 11:29PM EST
  • Default-avatar

    hipper

    It is absurd to me that a $16 million budget is considered independent nowadays.... I'm not sure if that's criteria they officially use for labelling something "independent" at the ISAs, but the line between what is and what's not is getting blurrier each year.

    November 27, 2012 at 8:32PM EST Reply to Comment
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      AP I agree with this. After The Descendants, Moonrise Kingdom, and Silver Linings Playbook all getting nominations I'm kind of disappointed in the way these are ending up.

      November 27, 2012 at 11:26PM EST
    • Default-avatar

      Max Large thanks to Miramax for this.

      December 11, 2012 at 8:17PM EST
  • Default-avatar

    Me.

    I'm so happy to see "Fill the Void" in a couple of categories! I loved that film. Here's hoping it gets an Oscar nomination for Best Foreign Language Film. Also, go "Beasts of the Southern Wild"!

    November 27, 2012 at 10:13PM EST Reply to Comment
  • Default-avatar

    AP

    Once Upon A Time in Anatolia is a much better film than Holy Motors for my money. I'm a huge fan of Carax's earlier work and I don't hate Holy Motors, but that's an interesting one to point out as worse.
    I'm definitely disappointed Ezra was left out too. Happy for Brit Marling and her great performance in Sound of My Voice even though I'm not a fan of that movie after that ending.

    November 27, 2012 at 11:22PM EST Reply to Comment
  • Default-avatar

    ll

    Damn... Matthew McConaughey being nominated for lead, and supporting actor.

    November 27, 2012 at 11:47PM EST Reply to Comment
  • Default-avatar

    JuanL

    I for one, think Once Upon a Time in Anatolia is a better film than Holy Motors. Actually I'd say more than ten or so of the eligible foreign films were. I'm not a fan of the movie. Don't dismiss other films so quickly.

    November 28, 2012 at 12:31AM EST Reply to Comment
  • Default-avatar

    red_wine

    Did you just diss on Once Upon A Time in Anatolia? Its a magnificent film and I think better than Holy Motors.

    November 28, 2012 at 12:47AM EST Reply to Comment
  • Default-avatar

    L. David

    Guy Lodge: It's your opinion. My opinion, just like Gregory Ellwood's and other insiders, is that Pena wasn't the only standout - BOTH Gyllenhaal and Pena were the highlights. Their on screen relationship WAS the movie. You can't think of one without immediately thinking of the other.

    Pena didn't act in a vacuum, EOW was a collaborative movie in the truest sense of the word. JG and MP performances were almost simbiotic, they fed off each other's emotions and delivery of the lines. Not always one actor has to be nominated alongside his co-star but in EOW's case the actors were joined to the hip artistically. To separate their performances is an injustice.
    The movie itself couldn't be made without Gyllenhaal's efforts, as acknowledged by the producers. Gyllenhaal even helped Pena with artistic suggestions ("try again, do that thing you did in the rehearsals") as acknowledged by Pena himself. Anna Kendrick stated that Jake puts other people's performances ahead of his own.

    My take is the ISA voting committee didn't actually like EOW but they couldn't completely ignore it - it's a true "independent spirit" movie after all. So they deliberately chose to acknowledge the underdogs (Pena and the cinematographer) above the more visible director/writer and star.
    It is unfair and, yes, an embarassment to the spirit of independent movies (pun intended).

    November 28, 2012 at 7:25AM EST Reply to Comment
    • Default-avatar

      GYLLENCRAZY I couldn't have said it better. Agreed on all points.

      November 28, 2012 at 12:54PM EST
  • Default-avatar

    jen

    Loneliest Planet is one of the most pretentious films I've ever seen.

    January 6, 2013 at 2:57AM EST Reply to Comment

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