The International Cinematographers Guild (ICG) held a celebratory luncheon at the ASC clubhouse today to showcase the winners of the 2013 Emerging Cinematographers Awards. Those honorees will have their work screened during a special ceremony at the DGA Theater on Sunday night. Friday, the guild took a few moments to honor four more experienced gentlemen for their contribution to the cinematic arts at the American Society of Cinematographers Clubhouse in Hollywood.
Oh, no. You're scaring me Walt Disney Marketing. This trailer for 'Frozen' has problems galore. Let's hold off on why by first taking a quick movie marketing lesson about how this might have come to pass.
TORONTO - Kate Winslet is very pregnant. Chances are when you're reading this she's still very pregnant. Moreover, Winslet is so far along that we may not catch the Oscar winner on the awards circuit until very close to the December release of her new film "Labor Day." In fact, she may not be able to promote the film again until 2014. That obviously made a chance to chat with her at the Toronto International Film Festival a major priority.
Cue the melancholy score because producer Jerry Bruckheimer's long run at the Walt Disney Studios appears to be over. Late Thursday evening the Mouse House announced the studio and Bruckheimer had "mutually agreed" to end his first look deal. Yes, his string of recent, expensive misfires was the private excuse, but even the venerable producer must have seen this coming a long time ago. The age of the studio super-producer is simply over.
Proving that positive reviews continue to have relevance in art house and limited releases, "Enough Said" debuted on four screens Wednesday to a strong $27,734 and $6,934 average. That midweek opening has to be very encouraging news for Fox Searchlight. The studio pushed up the release of the dramedy to September in hopes of taking advantage of a dearth in new prestige fare before a slew of awards season contenders hit theaters in October. While director Nicole Holofcener certainly has her fans, it's the rave reviews from outlets such as the New York Times, Los Angeles Times, USA Today and the Village Voice that will help drive a higher than expected five-day take. And, sadly, interest in seeing one of the last performances of the late, great James Gandolfini.
If it's Fall movie season that means a number of festival favorites from earlier in the year are finally making their way to theaters. One of those highlights is John Krokidas' "Kill Your Darlings" which received positive reviews out of the 2013 Sundance Film Festival before popping up again at Venice and Toronto over the past month.
It can't be easy being the third choice for a coveted role, but after viewing "Gravity" it will be hard to imagine anyone besides Sandra Bullock playing Dr. Ryan Stone in Alfonso Cuarón's groundbreaking new film.
TORONTO - Saoirse Ronan has been in this business a long time. She may only be 19-years-old, but the best supporting actress nominee for "Atonement" has been a working actor for a decade. She's already collaborated with filmmakers such as Joe Wright, Peter Jackson, Peter Weir, Neil Jordan and Gillian Armstrong. She's shot all over the globe and walked the red carpets at some of the greatest film festivals in the world. Today, however, Ronan is lying on a couch in a downtown Toronto hotel room as we meet to discuss her latest endeavor, Kevin Macdonald's "How I Live Now."
Steve McQueen's "12 Years a Slave" took another step on the long road to Oscar by winning the 2013 Toronto International Film Festival People's Choice Award. The critically acclaimed adaptation of Solomon Northup's harrowing true story received a standing ovation after both its Telluride Film Festival and Toronto premieres and was long seen as the frontrunner for this year's honor. The win should immediately assist Fox Searchlight, who produced and is distributing the picture, in convincing moviegoers and Academy members who might be concerned with the brutality depicted in the film to actually go see it.
Overall, this year's edition of the Toronto International Film Festival delivered a very strong slate of films. While some major titles such as Cannes players "All is Lost," "Nebraska" and "Inside Llewyn Davis" skipped a repeat at the traditional awards season-friendly event, TIFF could still claim the debuts of "Dallas Buyers Club," "August: Osage County" and quickly-picked-up acquisitions "Can A Song Save Your Life?" and "Bad Words," among others. There were reports that festival organizers were annoyed (like their Venice peers) that films such as "Prisoners," "Gravity" and "12 Years A Slave" all screened at Telluride first, but that didn't diminish the love from the Toronto audiences who saw them. In fact, those films were the talk of the festival even days after their Toronto premieres.